Wuthering Heights
What is Wuthering Heights about?
Is Wuthering Heights a love story?
Why is the film Wuthering Heights controversial?
What are some notable films based on Wuthering Heights?
Who wrote Wuthering Heights and under what pseudonym?
In 1847 English author Emily BrontĂ« published the novel Wuthering Heights under the pseudonym Ellis Bell. Intense, solidly imagined, and poetic, the book centers on the passionate and destructive relationship between two lovers: the willful Catherine Earnshaw and the vengeful Heathcliff. With its theme of obsessive love, Wuthering Heights is sometimes classified as a romance, but its brooding descriptions of nature and ghost-story elements make it classic Gothic fiction. BrontĂ«âs only novel (she died of tuberculosis the year after it was published), it was at first dismissed as âimmoral,â âvulgar,â and âinartisticâ by many reviewers, but history views the book as proof of its authorâs creative genius.
- Title: Wuthering Heights
- Author: Emily Brontë (published under the pseudonym Ellis Bell)
- Published: 1847
- Genre: Novel
- Language: English
âA perfect misanthropistâs Heavenâ: Plot and characters
1801âI have just returned from a visit to my landlordâthe solitary neighbour that I shall be troubled with. This is certainly a beautiful country! In all England, I do not believe that I could have fixed on a situation so completely removed from the stir of society. A perfect misanthropistâs Heavenâand Mr. Heathcliff and I are such a suitable pair to divide the desolation between us.
Summary
Wuthering Heights is set at the turn of the 19th century among the wild moors of a remote Yorkshire district. The storyâs structure is unusual and complex, but in general the novelâs events are recounted by two characters: Mr. Lockwood, a wealthy visitor from London, and Ellen Dean, a housekeeper. All of Mrs. Deanâs narratives concern the impact of the foundling Heathcliff on the Earnshaws and Lintons, two local landowning families. Embittered by abuse and the marriage of Catherine Earnshawâwho shares his stormy nature and whom he lovesâto the gentle and prosperous Edgar Linton, Heathcliff plans revenge on both families, extending into the second generation. Catherineâs death in childbirth at about 18 years old fails to set him free from his obsession with her, which persists until his death almost 20 years later. The marriage of the surviving heirs of Earnshaw and Linton restores peace.
Heathcliff and the Earnshaws
Within this tale of obsessive love is a ghost story. As the novel opens, Lockwood, who is renting Thrushcross Grange manor from Heathcliff, describes a harrowing visit to neighboring Wuthering Heights, where Heathcliff lives with his widowed daughter-in-law, Cathy Linton, and her cousin, Hareton Earnshaw. Though Lockwood finds the family inhospitable, he is forced to spend the night because of a snowstorm. That night he is wakened by the sound of a branch hitting the window. Desperate to stop the noise, he breaks the windowpane and reaches for the branch. Suddenly, an icy hand grabs his arm, and he hears a childâs voice call, âLet me in!â Lockwood then sees a girlâs face outside the window and hears the voice cry, âIâm come home: Iâd lost my way on the moor!âŠIâve been a waif for twenty years!â
Lockwood guesses this to be the ghost of Catherine Earnshaw. His encounter upsets Heathcliff, who rushes to the window and begs the ghost to come inside.
Later, at Thrushcross Grange, Mrs. Dean tells Lockwood about the Earnshaws, including their informal adoption of Heathcliff, who was brought into the familyâs fold by Mr. Earnshaw after finding the âdirty, ragged, black-haired childâ on the streets of Liverpool. Nothing is known about the childâs origins, and even his language is unidentifiable to the family. Mr. and Mrs. Earnshaw name him Heathcliff for a son who died.
Heathcliff grows close with the Earnshawsâ six-year-old daughter, Catherine. He is guessed to be about her age, and they are much alike in personality. By contrast, the Earnshawsâ 14-year-old son, Hindley, often clashes with Heathcliff and abuses him.
After the death of Mr. Earnshaw, Hindley inherits Wuthering Heights and marries, and Heathcliff is reduced to a servant. Catherine and Heathcliff remain close, often running off together to the moors and spending hours there. As a result of one of their adventures, Catherine becomes acquainted with the children at Thrushcross Grange: Edgar and Isabella Linton. Although she loves Heathcliff, she marries Edgar because of his wealth, telling Mrs. Dean that it would âdegradeâ her to marry Heathcliff. She further confesses:
My love for Linton is like the foliage in the woods: time will change it, Iâm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff! Heâs always, always in my mind: not as a pleasure, any more than I am always a pleasure to myself, but as my own being. So donât talk of our separation again: it is impracticable.
While eavesdropping, Heathcliff hears only the first part of her confession, and he leaves Wuthering Heights.
Heathcliffâs revenge
After three years Heathcliff returns to enact a long and insidious revenge on Edgar and Hindley. While away, he gained both money and an education, but it is unknown where or how he attained them. Exploiting Isabella Lintonâs naive infatuation with him, Heathcliff elopes with her, forcing her brother, Edgar, to disown her. Heathcliff takes advantage of Hindleyâs gambling habit to lure him into debt, and Wuthering Heights is subsequently mortgaged to Heathcliff. After Hindleyâs death, Heathcliff takes possession of the estate and becomes guardian to Hindleyâs son, Hareton, whom he treats like a servant.
Heathcliff also inveigles himself in Edgar and Catherineâs marriage, even after Catherine becomes pregnant. She dies after giving birth to a daughter, also named Catherine (or Cathy). Further, Heathcliff mistreats Isabella, who leaves him and gives birth to his son, Linton.
Heathcliffâs plan of vengeance continues. As the new generation of Earnshaws and Lintons grow up, Heathcliff remains at Wuthering Heights and Edgar at Thrushcross Grange, but their families have little interaction. When Isabella dies, Edgar brings her son, Linton, to Thrushcross Grange. Heathcliff insists on raising the sickly Linton, even though Heathcliff despises him for his weakness. In time, Linton grows weaker.
When Edgar also becomes ill, Heathcliff conspires to have Linton and Cathy marry, expecting to inherit Thrushcross Grange when Edgar and Linton die. (The laws of entail and primogeniture ensure that Thrushcross Grange is passed down to male heirs, skipping over Cathy and defaulting to her father-in-law.) After all this comes to pass, Cathy is held captive at Wuthering Heights and Heathcliff leases Thrushcross Grange.
Catherineâs haunting
Throughout these events, Heathcliff is relentlessly haunted by Catherine. On more than one occasion, his obsession with her drives him to open her grave to see her face again, and he even considers climbing into it.
Disturbed by his landlordâs history, Mr. Lockwood leaves Thrushcross Grange. After nearly a year he returns to find that Heathcliff has died and Cathy and Hareton are engaged. Heathcliffâs final days are recounted by Mrs. Dean. Tormented to the end by his separation from Catherine and refusing to eat, he died beside the open window where Lockwood had been awakened by her ghost, as if he had been waiting for her. It is said that Heathcliff and Catherineâs ghosts are often seen wandering the moors.
Publication and reception
Wuthering Heights was one of three novels published by members of the BrontĂ« family in 1847. Charlotte BrontĂ« published Jane Eyre in October, and two months later Wuthering Heights and Anne BrontĂ«âs Agnes Grey were released together as three volumes in a single edition. All three sisters published their work under male pseudonyms: Currer, Ellis, and Acton Bell, respectively. In a preface of the second edition (1850) of Wuthering Heights, Charlotte explained that they had used pen names because they had âa vague impression that authoresses are liable to be looked on with prejudice.â
Emilyâs and Anneâs manuscripts were shopped around to publishers for a year and a half before being accepted for publication. Jane Eyre was the last to find a publisher but the first to be released. Charlotteâs book was well received and an instant bestseller. When Wuthering Heights was at last published, it was considered to be âan earlier and ruder attempt of the same pen which had produced Jane Eyre,â according to Charlotte.
Critics called Wuthering Heights âdisjointed,â but its structure of a series of narratives nested within an exterior narrative is that of a classic âChinese boxâ frame story. Other examples include Mary Shelleyâs Frankenstein (1818).
Indeed, many reviewers were shocked by the bookâs depictions of cruelty and violence, although some critics praised the authorâs storytelling ability and the novelâs emotional power. A critic for an American magazine was especially harsh: âHow a human being could have attempted such a book as the present without committing suicide before he had finished a dozen chapters, is a mystery. It is a compound of vulgar depravity and unnatural horrors.â
In December 1848 Emily BrontĂ« died. Her death was preceded by her brother Branwellâs in September and followed by Anneâs in May 1849. In the aforementioned second edition of Wuthering Heights, Charlotte sought to put the authorship question to rest by way of a biographical note and preface in which Charlotte explained her and her sistersâ use of pseudonyms, defended Emilyâs work (but not Anneâs), and described Emily as an instinctive genius of the Yorkshire moors:
Her imagination, which was a spirit more sombre than sunny, more powerful than sportive, found in such traits material whence it wrought creations like Heathcliff, like Earnshaw, like Catherine. Having formed these beings, she did not know what she had done.
Friends of Branwell BrontĂ« circulated rumors that it was he, not Emily, who wrote Wuthering Heights. In 2021 a study by researchers at the University of Cork in Ireland used computer-aided technology to analyze all the siblingsâ works of fiction and confirmed that Emily was likely the novelâs sole author.
BrontĂ«âs inspiration
The Yorkshire moors that BrontĂ« describes so vividly in the novel were virtually her and her siblingsâ backyard since childhood. Many scholars have attempted to identify her other sources of inspiration. Two houses that are thought to have been the models for Thrushcross Grange or Wuthering Heights include Ponden Hall, a large farmhouse in West Yorkshire, and High Sunderland Hall, a manor (now demolished) near Halifax, not far from a school where Emily spent six months in 1838 working as a teacher. Branwell BrontĂ«, whose death from tuberculosis was hastened by his use of alcohol and opiates, is sometimes named as a possible model for Hindley Earnshaw, who meets a similar end.
The foundling Heathcliff, arguably the novelâs most captivating character, has prompted many origin stories. In the novel he is variously guessed to be âa little Lascarâ (an Indian sailor or military servant), a âgipsy brat,â an âAmerican or Spanish castaway,â or the child of a Chinese father and Indian mother. Some scholars think Heathcliff is a Black African, whereas others propose him to be an Irish immigrant. For further discussion see Heathcliff.
Adaptations
Wuthering Heights has been adapted for film and television by numerous directors. Notable among these are William Wylerâs 1939 film, starring Laurence Olivier as Heathcliff and Merle Oberon as Catherine, and Peter Kosminskyâs 1992 film, with Ralph Fiennes and Juliette Binoche as the star-crossed lovers. In 2026 Emerald Fennell directed another big-screen adaptation of Wuthering Heights, starring Jacob Elordi (Heathcliff), Margot Robbie (Catherine), and Hong Chau (Mrs. Dean).
An enduring musical tribute to BrontĂ«âs tale is singer-songwriter Kate Bushâs breakout hit âWuthering Heightsâ (1978), which recounts the story from the perspective of Catherineâs ghost. Bush has said that she was inspired by one of the haunting scenes in the BBCâs 1967 television series based on the novel.

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