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Venkateswara Temple, Tirumala

Hindu temple, Tirumala, India
Also known as: Sri Venkateswara Swami Vaari Temple, Sri Venkateswara Swamy Temple, Tirumala Temple, Tirupati Balaji Temple, Tirupati Temple(Show More)
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Venkateswara Temple, Tirumala, the most visited and wealthiest Hindu temple in India, dedicated to the deity Venkateswara and located in Tirumala, Andhra Pradesh state. The temple receives millions of visitors every year, and its estimated value in 2024 was about $30 billion, or more than 2.5 lakh crore rupees. Tirumala is located on Venkata hill near the town of Tirupati, and the god Venkateswara (“Lord of Venkata”) is a local form of the Hindu god Vishnu. The site is of vital importance to followers of the Srivaishnava sect of Hinduism, a southern Indian branch of Vaishnavism (worship of Vishnu). There are other Venkateswara temples throughout the world, but the site in Tirumala is regarded as paramount. It is one of the 108 divya desams (“sacred sites”)—temples to Vishnu throughout the Indian subcontinent mentioned by the Tamil Alvars (bhakti poets of the 7th–10th century). Average daily visitors to the temple number 60,000 to 80,000, and some of the peak pilgrimage times are in September–October for the Brahmotsavam festival and in December–January for the Vaikunta Ekadashi festival.

Origin stories

There are three primary mythological accounts that establish the sacredness of the temple’s location and its association with Vishnu. These stories are drawn from multiple Puranas (texts of ancient stories), and a major source of temple lore is the Venkatachala Mahatmya, which is found within the Skanda Purana. The first story takes place in mythical primordial time when Vishnu in his avatar as a boar, Varaha, saves the goddess of the earth, Bhudevi, from the demon (asura) Hiranyaksha, who had dragged Bhudevi to the underworld (Patala). Once he restores earth, Vishnu requests Garuda (his eagle vehicle, or vahana) to bring a mountain from Vishnu’s heaven (Vaikunta). Vishnu sets the mountain on the site of the temple in Tirumala, and he remains there to grant boons to people. The Bhu Varaha Swamy Temple, located just to the north of the main Venkateswara Temple, commemorates this event.

Another legend tells of a battle of strength between Vayu, the god of the wind, and Shesha, the cosmic serpent on which Vishnu rests. (A temple to Vishnu resting on Shesha, the Padmanabhaswamy Temple in Thiruvananthapuram, Kerala, is generally considered the second wealthiest Hindu temple.) When Shesha relents, allowing Vayu to prevail, the other gods compensate Shesha by allowing him to become the Sheshachalam range of the Eastern Ghats surrounding Tirumala. Shesha’s serpent hood is said to form Venkata hill, the seventh and last of the hills and that on which the Venkateswara Temple is located.

Srinivasa’s marriage to Padmavati

The third and most popular story of the origin of the Venkateswara Temple, told with slight variations in different sources, involves the wedding of Vishnu, in his incarnation as Srinivasa, to the princess Padmavati. The story begins when Vishnu leaves his post on earth at Tirumala (established in the first origin story) and ascends to his heavenly realm, Vaikunta. The god Brahma becomes concerned that without Vishnu on earth, humans would turn wicked. So he tasks the sage Narada with coaxing Vishnu back to the human realm. To do so, Narada sends the sage Bhrigu to determine which god is the most worthy of worship. When Brahma and Shiva are found unworthy—this is, after all, a Vaishnava story in which Vishnu will undoubtedly reign supreme—Bhrigu goes to Vishnu and kicks him in the chest. Unfazed by the affront, Vishnu expresses concern for Bhrigu and his foot. Vishnu’s wife Lakshmi, however, is deeply unsettled by this insulting kick and his calm response. Lakshmi, it is important to note, is said to dwell on that very chest that Bhrigu kicked. So she leaves Vaikunta for earth, arriving at what is now Kolhapur, Maharashtra, where a Lakshmi temple now stands.

Vishnu, disconsolate over Lakshmi’s departure, descends from heaven to look for her. Not finding her, he takes up residence on Venkata hill in a termite mound (sometimes translated as an anthill). He is attended to by a cow and its calf—who are incarnations of Brahma and Shiva—and the cow regularly stands over the termite mound to empty her udders, keeping Vishnu fed. A curious cowherd investigates this bewildering scene and attempts to strike the cow, but Vishnu emerges at the last moment to save the cow; the cowherd accidentally hits Vishnu, who curses him and the local king.

A gap and divergence appear in the accounts at this juncture: In some accounts Vishnu reincarnates at a later point as Srinivasa, while in others his transition from deity to Srinivasa is more fluid. The Venkatachala Mahatmya suggests that the sage Agastya requested that Vishnu become visible and he did so as Srinivasa. Eventually, the Chola king Akasa Raja, the reincarnation of the local king in charge of the overly curious cowherd, discovers a foundling baby girl in a lotus flower. He names her Padmavati, and she grows into a beautiful young woman. Certain narratives describe Padmavati as an incarnation of Lakshmi—Padmavati (“She who has lotuses”) is a common epithet of Lakshmi; in other versions they are not the same being, and Lakshmi later becomes jealous when she learns that her husband, Vishnu, has wed Padmavati.

Srinivasa leaves his termite mound and hunts an elephant. In that outing he espies the princess Padmavati, falls madly in love with her, and proposes marriage. In some narratives Padmavati is angry at the proposal and she (or her friends, depending on the narrative) pelt the god with rocks, at which he retreats to his termite mound. Srinivasa tasks his foster-mother Vakuladevi—the incarnation of Krishna’s mother Yashoda—with inquiring into the potential match. It just so happens that Padmavati is also lovesick for Srinivasa. Srinivasa then disguises himself as a fortune teller in which guise he advises that the cure for Padmavati’s ailment is to marry Srinivasa-Vishnu.

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The marriage arranged, one problem remains: Vishnu, without Lakshmi, the goddess of wealth, has no money to pay for an appropriately extravagant wedding. So he takes out a loan from Kubera, the Hindu god of wealth. But even supreme deities need to repay loans. Devotees who give money to the Venkateswara Temple are said to gain merit and boons from Vishnu, and they also help to pay down the god’s wedding loan.

Location and history

The Venkateswara Temple is located on Venkata hill in Tirumala (“Holy Hill”) just outside the town of Tirupati, in southeastern Andhra Pradesh. Chennai, Tamil Nadu, is the nearest major city approximately 75 miles (120 kilometers) away. Tirupati is reachable by train, bus, car, and an international airport. The temple sits at about 2,800 feet (850 meters) in the hills above Tirupati, and visitors cross over the seven peaks of the Sheshachalam range on their way up the mountain to reach it on the seventh hill. Many visitors choose to hike to the top as part of fulfilling a ritual vow (vrata). The full temple complex covers 16.2 acres (6.6 hectares).

The Venkateswara Temple traces its history to antiquity. However, a precise date and account of its origin are unclear. The tradition considers the current iteration of the sacred site to be 5,000 years old, dated to early in the Kali Yuga (the current epoch in Hindu cosmology) when Vishnu took up residence there. The god is also said to have resided there and performed feats in previous yugas as well. Some scholars suggest there is a reference to the temple as “Vengadam” in the Tamil grammar and poetic text Tolkappiyam, which was likely composed between the 1st and the 4th centuries ce. Puranic literature posits that the temple was first constructed by a king called Tondaman who excavated a termite hill and found a shrine to Vishnu. For this reason, the temple’s main devotional image (murti) of Venkateswara—which is more than 8 feet (2 meters) tall—is considered to be svayambhu (self-manifesting). Tondaman was possibly part of the early Chola dynasty as described in Sangam literature of the first centuries of the Common Era, but his identity and whether he was historical or mythical remains unclear.

A clear reference to a Vishnu temple called “Venkatam” in the Tamil epic Silappathikaram suggests the temple existed by the 5th or 6th century. A golden dome, called Ananda Nilayam (“Abode of Happiness”), sits atop the central shrine. Some sources trace it back to king Tondaman, and other myths say Garuda brought it from Vaikunta. It is said to have first been covered in gold plating in 839 by a Pallava king, and by the Vijayanagara king Krishnadevaraya in the 16th century. Records show that in 996 the Pallava queen Samavai donated money, land, and jewels to the temple. Various royal dynasties contributed additions and made embellishments to the temple over the centuries, including the Vijayanagara empire, through the 16th century.

In 1789 the Venkateswara Temple came under the administrative authority of the British East India Company, but the British later handed its oversight to a group of local Hindu religious leaders (mahants) in 1843. The question of whether management of temples should lie with the government or practitioners continued to affect the legal control of the temple into the early 20th century. A corporate oversight board called the Tirumala Tirupati Devasthanams (TTD) was created in 1932. The temple continued to undergo shifts in managerial control and combinations of oversight between the TTD and the government during the 20th century. Despite centuries of religious patronage and significance, the temple has since the 1950s become the site of exceptional pilgrimage and wealth. Religious studies scholar Vasudha Narayanan suggests that a maha santi samproksanam ritual in 1958, in which considerable physical restoration of the complex took place, elevated the temple’s popularity. Other researchers credit the role of the TTD in developing roads to the temple and other tourism facilities, such as hostels, that benefited tourist accessibility at this temple in the hills.

Religious significance

The deity Venkateswara has roots in local religious traditions of Tamil- and Telugu-speaking regions but was amalgamated into the larger pan-Hindu tradition as a form of Vishnu by the middle of the first millennium of the Common Era. The name Venkateswara (also spelled Venkateshvara) literally means “lord” (Sanskrit: ishvara) of Venkata, with the word for hill implied but not specifically mentioned. The name Venkata is commonly taken to mean “burning away sin,” referring to the salvific capacity of the temple and deity, thus Venkateswara could be translated as the “Lord Who Burns Sins.” The Skanda Purana delineates the capacity of Venkateswara to incinerate sins and grant salvation to devotees, and it also establishes this temple on even footing with other powerful pilgrimage sites in northern India, such as Varanasi and Prayagraj. The Venkateswara Temple in Tirumala is also said in Puranic texts to be the home of Vishnu in the Kali Yuga, the final era in Hindu cosmology that is full of trials and tribulations for humans.

In terms of iconography Venkateswara’s skin is a deep black. His forehead is covered with a large tilak mark of Vishnu and Vaishnavas—a white U shape typically surrounding a central vertical red line—that s over his eyes. He also wears a large gold crown, and his hands possess objects of Vishnu imagery (e.g., discus and conch). His right hand is depicted with the varadamudra, an open and downward-pointing hand gesture (mudra) symbolizing that he grants favors.

The temple is of central significance within the Srivaishnava tradition, a Vaishnava (Vishnu-worshipping) sect that rose to prominence in the 10th–11th century under the guidance of the philosopher Ramanuja (c. 1017–1137). The Srivaishnava tradition permits the use of scriptures in Sanskrit as well as local Tamil and Telugu languages, including works by the southern mystical poets called the Alvars. Ramanuja is also credited with instituting the tradition of following the Vaikhanasa Agama ritual guide for the procedures followed at the Venkateswara Temple.

The Venkateswara Temple and its presiding deity have been the subject—or, more literally, the object—of numerous poetic praise works in the bhakti (devotional) tradition of Hinduism. Venkateswara appears in the poetic works of Kotai (later canonized as the saint Andal), the only woman of the 12 Tamil Alvars. She likely lived in the 9th century. In some of her poems she expresses her religious desire for Venkateswara in terms of romantic desire for a beloved man. She stylizes the yearning in terms of the separation of lovers, a particularly poignant trope in South Asian poetry (kavya) that in bhakti poetry serves as a metaphor for theological desire.

A Bhakti Poem to Venkateswara by Andal
O clouds that spill lovely pearls
What message has the dark-hued lord of Vēáč…kaáč­am
sent through you?
The fire of desire has invaded my body.
I suffer.
I lie awake here in the thick of night,
a helpless target for the cool southern breeze.
Translated by Archana Venkatesan in The Secret Garland: Āáč‡áč­Äáž·â€™s Tiruppāvai and Nācciyār Tirumoáž»i (2010)

In the 15th century the poet Annamayya lived in the area around the temple and composed thousands of poems dedicated to Venkateswara. His 13,000 poems in Telugu were inscribed on copper plates and kept in the temple’s vault. The poems, intended to be sung, are of two main sorts: those that describe love for the god often from a female perspective and those of a philosophical bent.

A Philosophical Poem About Venkateswara by Annamayya
If you think of the god on the hill,
married to the goddess,
that’s who you’ll see.
What you look for
is the god in you.
What you see
is the god out there.
God is what you have in your mind.
Translated by Velcheru Narayana Rao and David Shulman in God on the Hill: Temple Poems from Tirupati (2005)

Ritual practices

Going for darshan

The Venkateswara Temple at Tirumala is an extremely busy place. With upward of 60,000 visitors per day, queues to receive darshan (a view of the main deity) can take hours for only a few brief moments in the presence of Venkateswara in the central shrine called the garbhagriha (“womb house,” Latin: sanctum sanctorum). With free entry, waiting for darshan can take up to 10 hours, and significantly more on festival days. Paid darshan tickets in multiple tiers can drastically reduce wait time to only 2 or 3 hours. Many people purchase darshan tickets in advance. In 2024 the temple received approximately 25,500,000 pilgrims—by way of comparison, Disneyland in California recorded 17,000,000 visitors the same year, while the Vatican Museums reported 7,000,000 visitors. The temple also earned approximately $160,000,000 U.S. (1,365 crore rupees) in 2024 alone through cash donations into hundis, metal boxes into which devotees deposit money as an offering to the god.

Devotees typically begin a pilgrimage to Venkateswara Temple at home by worshipping their preferred (ishta) or family (kula) deities. For some people the trip, in a mental sense, begins even earlier when they take a vow (Telugu: mokku) to visit the temple after they have achieved a goal or believe they have received a favor from the god. Upon arrival at Tirupati, devotees either hike to the temple from the base of the hill or reach Tirumala by vehicular means. Just outside the main temple, opposite a temple to monkey god Hanuman (Anjaneya), a series of large lamps called Akhilandam (or Akhandam) burn with leaping flames day and night. There, overlooking the main Venkateswara Temple, pilgrims break coconuts, a ritual practice that throughout India inaugurates temple worship, or indeed many other occasions of commencement.

Within the temple complex, visitors first bathe at the Pushkarini temple tank and worship at the Varaha Temple. Many pilgrims to the Venkateswara Temple elect to have their head shaved (tonsure) as part of the ritual vows of their visit. About 400 tonsurers are available at any given time. Those visitors getting tonsure first go to the Kalyanakatta or other tonsure sites, have their head shaved, then bathe, and then proceed for darshan. Many pilgrims apply sandalwood paste to their shaved heads.

Tonsure and the Global Marketplace

The practice of tonsure at the Venkateswara Temple at Tirumala gave rise to a lucrative local wig-making industry that annually brings in tens of millions of dollars (hundreds of crore rupees). Some of those wigs found their way to Orthodox and ultra-Orthodox Jewish women who shave their hair or cover their hair as a sign of modesty and regularly wear wigs (Yiddish: sheitels). In 2004 the connection between Hindu ritual tonsure at the Tirumala temple and Orthodox Jewish women’s wigs came to the attention of rabbis, some of whom declared the wigs impure because they thought the hair was an offering to a god, and thus idolatrous. The hair itself is not offered to Venkateswara, and tonsure is a practice of ritual purity that takes place outside the temple, as some other rabbis pointed out. Nevertheless, confusion and anxiety among Jewish women arose, and many responded by burning their Indian-origin wigs. The event occasioned a unique interreligious encounter that illustrated the need for clearer understandings of religious practices in an era of globalization.

Laddus

Neither a visit to nor a discussion of the Venkateswara Temple is complete without its signature laddus, which are given to the god as naivedyam (food offering) and then to devotees as prasada (sanctified food) after they take darshan. The special laddus are considered Venkateswara’s favorite treat. Visitors who receive the laddus often bring some additional ones home to family and friends. While laddus are common prasada at many temples across India, the Venkateswara Temple laddus are renowned for their sacredness and unique taste from a special recipe. Prepared in the temple’s kitchen, the tradition of laddus goes back centuries—although the present recipe dates to about 1940—and in recent years some 350,000 laddus are made daily. In 2009 the Tirupati laddu received a geographical indication tag, a global patent tied to a geographical location. In 2024 controversy arose over allegations that the laddus had been made with ghee that was adulterated, sparking political wrangling. In response the temple priests performed a purification ritual (shanti homam).

Other rituals after darshan

Many other ritual actions are performed at the temple in addition to darshan. For example, devotees drop money into hundis or offer money and food goods equal to their weight (a ritual called tulabharam). Devotees might walk clockwise (pradakshina) around the central shrine or roll on their sides around the central shrine along special pathways. The morning suprabhatam (awakening prayer) sung to the god is considered auspicious, and the version sung by M.S. Subbulakshmi is highly regarded. Shrines to other forms of Vishnu, shrines of Vakuladevi and Garuda, and statues of impactful royal figures in the temple’s history are also found in the main temple complex surrounding the central shrine and may be worshipped.

Generally after darshan of Venkateswara, other rituals, and collection of laddus, pilgrims descend back toward Tirupati and might choose to visit other temples in the vicinity. In nearby Tiruchanur the Padmavati Ammavari Temple honoring Srinivasa’s wife Padmavati is considered an important next stop after darshan at the main temple. A pilgrimage to the region might include stops at many other nearby temples as well as excursions to sites of natural beauty in the hilly terrain of southeastern Andhra Pradesh.

Festivals

The most significant festival at the Venkateswara Temple is Brahmotsavam. This nine-day festival occurs at the same time as the autumn Navratri festival (in September–October). This festival takes its name from the god Brahma, who is said to have initiated it, and honors the god Venkateswara. The highlight of the festival is the procession around the temple complex of Venkateswara’s special utsava murti (a special image of the god used in processions). The deity is paraded on different vehicles (vahanas) through the streets—just as deities are paraded on chariots during a Rathayatra festival—allowing darshan for all assembled in public spaces. The most important of these vahanas is Garuda Vahana, on which the deity is processioned atop a float resembling Vishnu’s eagle mount, Garuda.

Many other festivals are celebrated at the Venkateswara Temple throughout the year. A number of festivals in May attract increased numbers of pilgrims, despite the heat. New Year’s Day (January 1) brings massive crowds, but the throngs are not only for the new year on the Gregorian calendar. Vaikunta Ekadashi typically falls during this time and is considered a day on which the Vaikunta Dwaram (the door to Vishnu’s heaven) is opened for devotees to seek liberation. This door opening is symbolized by unsealing a special door in the temple’s inner sanctum. Telugu new year’s day, Ugadi, is also celebrated at the Venkateswara Temple.

Administration and associated worldwide temples

The Venkateswara Temple falls under the larger organizational umbrella of the Tirumala Tirupati Devasthanams (TTD), a conglomeration of Hindu temples predominantly in southeastern Andhra Pradesh but with a reach across India and the globe. The TTD directly administers more than 60 temples in Tirupati, Andhra Pradesh, and across India, ranging from southernmost Kanyakumari to the northern holy town of Rishikesh. Outposts are also present in major Indian cities such as New Delhi, Bengaluru, and Mumbai (Bombay). Many of these temples overseen by the TTD are Venkateswara temples, but not all. Also, not all Venkateswara temples in India are affiliated with the TTD. The deity of a famous non-TTD Venkateswara temple, the Chilkur Balaji Temple—Balaji is another name for Venkateswara—located near Hyderabad, Telangana, is known for helping devotees obtain visas for foreign work, study, and travel.

Beyond India’s border many other Venkateswara temples, with and without affiliation to the TTD, are found across the world, such as in Australia, Canada, the United Kingdom, and the United States. Among the most renowned in the United States is the Venkateswara Temple in the Penn Hills suburb of Pittsburgh. Its location among hills mirrors that of the Tirumala temple. It was constructed in 1976 with assistance from the TTD and became a pilgrimage destination for Hindus across the United States. Other Venkateswara temples, some associated with the TTD and others not, have since opened across the United States, such as temples in Aurora, Illinois (near Chicago); Atlanta; Malibu, California; Bridgewater, New Jersey; and Jackson, Mississippi.