- French:
- Médicis
- Role In:
- Renaissance
Medici family
-
Who were the Medici family?
The Medici family was a bourgeois family from Italy that greatly impacted Florence and Tuscany from 1434 to 1737, with brief interruptions from 1494 to 1512 and from 1527 to 1530. The family had three lines that gained power over time. They were known for favoring gold over military force, seeking support from the middle and poorer classes, and having a passion for arts, letters, and building.
Giovanni di Bicci de' Medici (1360–1429) is considered the first of the great Medici, who inherited the family business based on cloth and silk manufacturing and banking operations, which made the family powerfully prosperous. The Medici family gave the Roman Catholic Church four popes and married into Europe's royal families. They were more than benefactors; they were enlightened patrons of the arts.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
Where did the Medici family live?
The Medici family resided primarily in Florence, Italy, from 1434 to 1737, with brief interruptions. Their presence is deeply intertwined with the city's history and architecture.
Key locations associated with the Medici family:
- Palazzo Medici: Also known as the Medici-Riccardi Palace, this was the first major Renaissance residential palace, built for Cosimo de' Medici in the mid-15th century.
- Uffizi Gallery: Originally designed to house the grand ducal offices, it was converted in 1574 by Grand Duke Francesco I to display the Medici art treasures.
- San Lorenzo Church: Located north of the Florence Cathedral, this is where the Medici family eventually ruled. The church contains the Medici tombs.
3 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
How did the Medici family become powerful?
The Medici family rose to power through strategic financial practices and political maneuvering. Originating as Tuscan peasants, they migrated to Florence and established themselves among the wealthy notables through commerce.
The family's banking network, the largest in Europe, generated immense wealth, which Cosimo de' Medici used to establish a strong network of patronage and influence. The Medici further solidified their power by investing in culture, including patronage of artists and architects, and by purchasing books and manuscripts.
While they faced periods of exile, the Medici ultimately returned to Florence and asserted their dominance, holding positions of power, such as when Lorenzo's son was elected Pope Leo X. The family continued to expand their influence through strategic marriages into royal families and by becoming grand dukes of Tuscany.
3 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What role did the Medici family play in Florence?
The Medici family significantly shaped Florence from 1434 to 1737, with few interruptions.
The Medici's influence began with Cosimo de' Medici, who used his wealth from Europe's largest banking network to dominate the city without holding public office. They invested heavily in culture, supporting artists and architects, which became a hallmark of their aristocratic lifestyle. Despite facing challenges like the Pazzi conspiracy, the Medici maintained power, with family members like Lorenzo de' Medici enhancing the city's image.
Their patronage extended to religious institutions and the construction of libraries, solidifying their influence over Florence. The Medici also secured alliances through marriages into royal families, such as those of Catherine and Marie de Médicis to the French nobility, though their rule eventually led to Florence's decline.
3 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
How did the Medici family support art and culture?
The Medici family significantly bolstered art and culture in Florence and beyond. From 1434 to 1737, with few interruptions, the Medici family ruled Florence and later Tuscany. They were deeply passionate about arts and letters, becoming enlightened and magnificent patrons, arguably the most impressive the Western world has witnessed.
Figures like Cosimo the Elder, who founded the Neoplatonic academy and collected a vast library, and Lorenzo de Medici, who surrounded himself with artists, poets, scholars, and musicians, all contributed to the Renaissance. Lorenzo also established a sculpture garden where Michelangelo began his career. The Medici's support led to artistic additions to churches and palaces, enriching Florence’s cultural landscape.
5 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles. -
What impact did the Medici family have on European history?
The Medici family significantly impacted European history through their rule in Florence and Tuscany from 1434 to 1737, with brief interruptions. They influenced the Roman Catholic Church by providing four popes: Leo X, Clement VII, Pius IV, and Leon XI.
The Medici's patronage of the arts during the Renaissance supported key figures like Donatello and Michelangelo, enriching European culture. Cosimo de' Medici, through his wealth and patronage, fostered artistic and humanistic endeavors. Marital alliances with French nobility, such as Catherine de' Medici and Marie de Médicis, further linked the family to European power.
5 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Medici family, Italian bourgeois family that ruled Florence and, later, Tuscany during most of the period from 1434 to 1737, except for two brief intervals (from 1494 to 1512 and from 1527 to 1530). It provided the Roman Catholic Church with four popes (Leo X, Clement VII, Pius IV, and Leon XI) and married into the royal families of Europe (most notably in France, in the persons of Queens Catherine de Médici and Marie de Médicis).
Three lines of Medici successively approached or acquired positions of power. The line of Chiarissimo II failed to gain power in Florence in the 14th century. In the 15th century the line of Cosimo the Elder set up a hereditary principate in Florence but without legal right or title, hence subject to sudden overthrow; crowns burgeoned, however, on the last branches of their genealogical tree, for two of them were dukes outside Florence, their last heir in a direct line became queen of France (Catherine de Médicis), and their final offspring, Alessandro, was duke of Florence. In the 16th century a third line renounced republican notions and imposed its tyranny, and its members made themselves a dynasty of grand dukes of Tuscany.
The differences between these three collateral lines are essentially due to circumstances, for there was in all the Medici an extraordinary persistence of hereditary traits. In the first place, not being soldiers, they were constantly confronting their adversaries with bribes of gold rather than with battalions of armed men. In addition, the early Medici resolutely courted favour with the middle and poorer classes in the city, and this determination to be popolani (“plebeian”) endured a long time after them. Finally, all were consumed by a passion for arts and letters and for building. They were more than beneficent and ostentatious patrons of the arts; they were also enlightened and were probably the most magnificent such patrons that the West has ever seen.
Line of Chiarissimo II
The Medici were originally of Tuscan peasant origin, from the village of Cafaggiolo in the Mugello, the valley of the Sieve, north of Florence. Some of these villagers, in the 12th century perhaps, became aware of the new opportunities afforded by commerce and emigrated to Florence. There, by the following century, the Medici were counted among the wealthy notables, although in the second rank, after leading families of the city. After 1340 an economic depression throughout Europe forced these more powerful houses into bankruptcy. The Medici, however, were able to escape this fate and even took advantage of it to establish themselves among the city’s elite. But their policy of consolidating their position by controlling the government—the work of the descendants of Chiarissimo II (himself the grandson of the first known Medici)—resulted in 50 years of serious misfortunes for the family (1343–93).
His grandson Salvestro took up his policy of alliance with the popolo minuto (“common people”) and was elected gonfalonier, head of the signoria, the council of government, in 1378. Salvestro more or less willingly stirred up an insurrection of the ciompi, the artisans of the lowest class, against his rivals and, after the rebellion’s victory, was not above reaping substantial monetary and titular advantages. But in 1381, when the popular government fell, he had to go into exile. His memory, however, was still alive in 1393, when the popolo magro (“lean people”) once more thought it possible to take over the signoria. The mob hastened to seek out Salvestro’s first cousin, Vieri, who was, however, able to fade away without losing face. With Vieri this branch of the Medici was to disappear definitively from history.
Line of Cosimo the Elder
A distant cousin of Salvestro was Averardo de’ Medici (or Bicci), whose progeny became the famous Medici of history. His son Giovanni di Bicci de’ Medici (1360–1429), considered the first of the great Medici, inherited the family business based on cloth and silk manufacturing and on banking operations and made the family powerfully prosperous. Giovanni’s two sons, Cosimo (1389–1464) and Lorenzo (1394–1440), both of whom acquired the appellation of “the Elder,” founded the famous lines of the Medici family.
Cosimo de’ Medici, the older brother, established the family’s political base. He served on the Florentine board of war, called the Dieci (The Ten), and held other posts. His two sons were Piero (1416–69) and Giovanni (1424–63). The latter died before his father, who in death received the title “Father of His Country.” Piero di Cosimo de’ Medici maintained and strengthened the political fortunes of the family. He also fathered two sons, one of whom, Giuliano (1453–78) was assassinated. The second son, Lorenzo (1449–92), became in his own time Il Magnifico (“The Magnificent”).
Lorenzo de’ Medici deservedly holds an honoured place in the history of Florence and Italy. Inheriting from his forebears a deep respect for arts and letters, he became a poet himself as well as a patron of artists and a skilled statesman. His three children, Piero (1472–1503), Giovanni (1475–1521)—later Leo X—and Giuliano (1479–1516), played contrasting roles in the city’s history. Assuming the mantle of family power from Lorenzo, Piero alienated the people of Florence by siding with the French. Because of this act, considered a betrayal, the Medici had to flee Florence (1494). Giovanni, at that time a cardinal, used his influence with Pope Julius II to bring the family back to positions of power. Giuliano, who received the French title of duc de Nemours, was in poor health and died relatively young.
Piero, oldest of the children of Lorenzo the Magnificent, fathered one son, also named Lorenzo (1492–1519), who in turn had a daughter, Catherine (1519–89), who became queen of France as wife of Henry II; three of her four sons became kings of France. Giovanni, second son of Lorenzo the Magnificent, became Pope Leo X. In commemoration of the deaths of Giuliano and Lorenzo, the two who had died relatively young, the family commissioned Michelangelo to complete the famous Medici Tombs in Florence. The few years of this period are often considered to be the apogee of the Medici age. The period has even been called “the century of Leo X.” From 1513 to 1521, surrounded by five nephews and cousins whom he had named cardinals, Leo X reigned less over Christianity than over arts and letters in the style of his father, the Magnificent, too occupied with patronage to pay sufficient attention to an unimportant monk by the name of Martin Luther. By the 1520s, nonetheless, the descendants of Cosimo the Elder had become few in number. To ensure that a Medici of the Cosimo line would continue to rule Florence, Pope Clement VII, nephew of Lorenzo the Magnificent, installed Alessandro (1511–37), reputedly his own illegitimate son, as hereditary duke of Florence. In the same year, 1532, Clement VII abolished the city’s old constitution.
Alessandro proved to be cruel and brutally authoritarian. He ruled for five years. In 1537 he was assassinated by a companion who was also a relative.

" height="20" alt="HEW Logo">


