The first major part-of-speech division in Japanese falls between those elements that express concrete concepts (e.g., nouns, verbs, adjectives) and those that express relational concepts (particles and suffixal auxiliary-like elements). The former elements may stand alone, constituting one-word sentences, whereas the latter are always attached to nouns and verbs and express such grammatical concepts as tense, the grammatical relations of subject and object, and the speaker’s attitudes toward the proposition and toward the listener. Japanese verbs and adjectives conjugate and function as predicates without involving a copula (linking verb), whereas non-conjugating nouns and adjectival nominals (e.g., ganko ‘stubborn’) require the copula da in their predication function—e.g., Tarō-ga ringo-o kau (literally, Taro-[nominative] apple-[accusative] buy [present]) ‘Taro buys an apple,’ Yama-ga taka-i (literally, mountain-[nominative] high-[present]) ‘The mountain is high,’ Tarō-wa sensei-da (literally, Taro-[topic] teacher-[copula present]) ‘Taro is a teacher,’ Tarō-wa ganko-da (literally, Taro-[topic] stubborn-[copula present]) ‘Taro is stubborn.’ Predicates show no agreement for person, number, and gender. Nouns do not decline and do not indicate number or gender, while case distinctions are marked by enclitic particles (that is, particles attached to the end of the previous word), as in the examples above.

Japanese, as a consistent subject–object–verb (SOV) language, places modifiers before the modified, so that adjectives and relative clauses precede the modified nouns and adverbs come before verbs. A predicate complex consists of the stem followed by various suffixal elements expressing relational concepts. The order of these and other end-of-sentence, or sentence-final, elements reflect the ordering of meaning types from concrete to subjective to interpersonal; e.g., Ik-ase-rare-ru darō ka ne (literally, go-[causative]-[passive]-[present], [conjecture], [question particle], [final particle]) ‘Will (I) be made to go? What do you think?’

Elements recoverable from the context are freely omitted from Japanese, so that conversation abounds with sentence fragments, which may convey various meanings depending on the context—e.g., Kaita (literally, write [past]) can mean ‘I (he/she/they) wrote (a book, letters, etc.),’ Tarō to Jirō desu (literally, Taro and Jiro [copula polite]) can mean ‘Taro and Jiro came/played,’ ‘I met Taro and Jiro,’ and so on. Some clues for recovering missing elements are provided for by means of honorific forms. When, for example, the verb kaku ‘to write’ is used in its subject honorific form—kakareru or o-kaki-ni naru—the writer referred to is not the speaker, but someone honored as superior to the speaker. On the other hand, when the humble form o-kaki suru is used, the referent is likely to be the speaker. The addressee honorific form kakimasu is an index of the social relationship of the speaker to the listener, whereas the plain form kaku is used in addressing an equal, a social inferior, or an indefinite audience (as would be used, for example, in newspaper articles and books). The use of honorifics extends to the forms of personal address; one especially avoids use of anata ‘you,’ even in its honorific form anata-sama, when addressing a superior. The reference is usually omitted altogether, and the subject honorific form of the verb in combination with the addressee honorific form may simply be used, as in O-iki-ni narimasu ka ‘Are [you] going?’ If one must address a superior, that person’s title or a kinship term is used, as in Sensei-wa o-iki-ni narimasu ka ‘Are you going, Teacher?’ Personal terms referring to the first person and particles that end the sentence also indicate the speaker’s gender; the first person pronoun watakushi is gender-neutral whereas boku and ore are typically used by men and watashi and atashi are generally used by women (although the former is often used as a gender-neutral pronoun in formal settings). Ze and zo are final particles used by men, while wa and wa yo are used exclusively by women.

The Japanese language exhibits a number of characteristic grammatical constructions not found in English and other European languages. An English sentence such as John came translates into two different expressions in Japanese. The sentence exhibiting the topic construction John-wa kita (John-[topic] came) contrasts with the basic sentence John-ga kita (John-[nominative] came), and the former is used when the referent of the wa-marked nominal (i.e., John) is the topic of discussion, whereas the nontopic sentence simply describes the event in a neutral manner. The structure A-wa B-da (A-[topic] B-[copula]) bears a heavy functional load in Japanese. In addition to its basic identificational function (e.g., Kore-wa hon-da ‘This is a book’), the construction, supported by its context, is used to express a variety of meanings; e.g., Boku-wa ringo da (literally, ‘I am an apple’) can mean ‘I have decided to eat an apple,’ ‘I am going to pick apples,’ and so on; Boku-wa Kōbe-da (literally, ‘I am Kōbe’) can mean ‘I am going to Kōbe,’ ‘I am from Kōbe,’ ‘I am a fan of Kōbe,’ ‘I live in Kōbe,’ ‘I get off the train in Kōbe,’ and so on.

Japanese also makes intransitive verbs passive; a passive sentence, such as Boku-wa haha-ni shin-are-ta (literally, I-[topic] mother-[dative] die-[passive-past]) ‘I suffered from Mother’s dying,’ characteristically expresses the adversative meaning of suffering or inconvenience experienced by the subject referent (here, the male “I”). In addition to the regular passive of the type found in English, transitive verbs also produce adversative passive sentences—e.g., Boku-wa Hanako-ni piano-o hik-are-ta (literally, I-[topic] Hanako-[dative] piano-[accusative] play-[passive-past]) ‘I suffered from Hanako’s piano-playing.’

Repetitive expressions abound in Japanese, and they profoundly affect both morphology and syntax. Examples of repetition include the use of syllable reduplication in various onomatopoeic expressions (e.g., ton-ton symbolizes a light knocking sound, don-don symbolizes a heavy banging noise), the formation of plurals for certain nouns (e.g., yama-yama ‘mountains,’ hito-bito ‘people’), and the use of doubling in adverbial phrases for emphasis (e.g., hayaku-hayaku ‘quickly, quickly’). Additionally, the repetition of phrases yields a number of characteristic constructions of Japanese—e.g., yome-ba yomu-hodo omoshiroi (literally, read-if read-to-the-extent interesting) ‘the more (I) read, the more interesting it is,’ katta-ra katta-de ato-ga komaru (literally, bought-if bought-at afterward-[nominative] suffer) ‘If [I] bought [it] after all, then it would become troublesome afterward [I would regret it].’