Anatolian religion
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What is Anatolian religion?
Anatolian religion encompasses the beliefs and practices of the ancient peoples of Turkey and Armenia, including the Hittites, Hattians, Luwians, Hurrians, and Phrygians. The religion of the Hittites, a prominent group in Anatolia, was a tolerant polytheism that incorporated deities from indigenous Anatolian, Syrian, and Hurrian traditions.
The Hittite understanding of the divine involved gods with their own lives, who required service from their worshippers. Humans were dependent on gods for well-being, and rituals, including prayer and magic, were used to appease deities who might withdraw their favor. The relationship between humans and gods was akin to that of a servant and master, with confession and expiation being central themes in royal prayers.
Early evidence of religious beliefs in Anatolia comes from the Neolithic site of Çatalhöyük, where a mother goddess was the primary deity, associated with animals, and potentially a son and consort. Later discoveries at Alaca Höyük and Horoztepe reveal rich royal tombs with artifacts suggesting ritual significance, including bronze standards and figurines. The iconography found on seals from the Old Assyrian period at Kültepe depicts a pantheon of deities, including weather gods, a war god, and a mother goddess, indicating a complex religious system that evolved over millennia.
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Where was Anatolian religion practiced?
Anatolian religion was practiced by the ancient peoples and civilizations of Turkey and Armenia. This includes groups such as the Hittites, Hattians, Luwians, Hurrians, Assyrian colonists, Urartians, and Phrygians. Evidence of early religious beliefs has been found at sites like Çatalhöyük and Hacılar, dating back to the Neolithic period. Later, the religion of the Hittites, whose archives were discovered at Boğazköy, became a primary source of knowledge for early Anatolian religions.
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Who were some important gods in Anatolian religion?
In Anatolian religion, the most widely worshiped deity was the weather god, known as Tarhun in Luwian and Hittite, Taru in Hattian, and Teshub in Hurrian. He was considered the chief deity of the official pantheon, bestowing kingship and victory. His spouse was the great goddess of Arinna, worshiped by the Hittites as Arinnitti, who was a sun goddess. Other significant deities included the weather god of Nerik, and sons like Telipinu. The sun god Istanu and the moon god Arma also played roles. The goddess Kubaba rose to prominence in successor kingdoms, and the Phrygians revered Cybele, the Great Mother of the Gods. The continuity of worship for a divine pair—a mother goddess and a weather god—persisted for millennia.
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What festivals or rituals did people follow in Anatolian religion?
In Anatolian religion, particularly among the Hittites, state religious cults were central, with the king and queen officiating numerous festivals. While the specific names of many of these festivals are not fully understood, they were often seasonal and involved rituals such as libations and cultic meals. Some festivals could last for extended periods, involving multiple cities. Temple personnel were instructed on proper conduct, including the timely celebration of festivals, with divine vengeance threatened for failures. These festivals were integral to the state's religious life, placing national deities under protection and involving elaborate ceremonies with music and dignitaries.
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How did Anatolian religion influence or interact with neighboring cultures?
Anatolian religions interacted with neighboring cultures through the spread of deities and iconography. Following the fall of Hattusa, Luwians moved into Cappadocia, Cilicia, and North Syria, bringing their gods like Tarhun, Runda, Arma, and Santa with them. The goddess Kubaba gained prominence in Carchemish due to political factors, and Hittite iconography was influenced by Aramaic and Assyrian styles.
In eastern Anatolia, the kingdom of Urartu, centered around Lake Van, worshipped deities such as Haldi and Tesheba, with iconography showing influences from surrounding regions. The Luwians, in particular, had a reputation as magicians and their cultural traits, though difficult to distinguish from Hittite traditions, blended with general Middle Eastern influences, particularly from the Aramaeans and Assyrians. Persian deities like Mithra and Anahita were also honored in regions like Armenia, and religious practices in eastern Anatolia reflected a mix of Persian, Greek, and indigenous Anatolian elements.
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What ancient written records or archaeological sites teach us about Anatolian religion today?
Ancient written records and archaeological sites provide crucial insights into Anatolian religion. The discovery of Hittite archives at Boğazköy (ancient Hattusa) yielded extensive indigenous literary evidence from the 2nd millennium BCE, primarily detailing Hittite religion. Deciphered Hittite hieroglyphic inscriptions from the early 1st millennium BCE further illuminate this period.
Archaeological excavations at Çatalhöyük have revealed Neolithic shrines dating to around 6500–5800 BCE, featuring reliefs of goddesses, leopards, bulls, and frescoes. Statuettes found here depict a mother goddess with a son and consort. Later discoveries at Hacılar also show goddesses associated with felines.
Additionally, royal tombs at Alaca Höyük and Horoztepe from the late 3rd millennium BCE contained artifacts with ritual significance, including bronze standards adorned with animals and geometric patterns. The cuneiform tablets from Assyrian commercial colonies at Kültepe offer insights into religious symbolism, depicting a pantheon of deities that influenced later Hittite iconography.
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Anatolian religion, beliefs and practices of the ancient peoples and civilizations of Turkey and Armenia, including the Hittites, Hattians, Luwians, Hurrians, Assyrian colonists, Urartians, and Phrygians. For historical background, see Anatolia.
Sources of modern knowledge
Until comparatively recent times, the pre-Christian religions of Anatolia (Asia Minor) were known only through the works of classical writers. For the Greeks and Romans, Asia Minor was above all the home of the religion of Cybele, the Great Mother of the Gods, whose cult was centred in Phrygian Pessinus. A monument such as the colossal, but much weathered, figure of a Hittite goddess carved high up on the slopes of Mount Sipylus (near Manisa) was of necessity ascribed by the 2nd-century-ad Greek traveler and geographer Pausanias to the Mother of the Gods, since no other ancient Anatolian goddess was known to him.
During the 19th century many such pre-classical rock reliefs and inscribed monuments were reported by travelers, but it was the discovery of the royal Hittite archives at Boğazköy (ancient Hattusa) in 1907 that made available for the first time a mass of indigenous literary evidence for an Anatolian civilization belonging to the 2nd millennium bc, before the arrival of the Phrygians. Because of the discovery of these archives, written on clay tablets, the religion of the Hittites necessarily predominates in any account of the early religions of Asia Minor. Later Hittite history has been further clarified by the decipherment of the Hittite hieroglyphic inscriptions on monuments dating for the most part from the early centuries of the 1st millennium bc, after the downfall of Hattusa. For the same period, the cuneiform inscriptions of the kingdom of Urartu in the region of Lake Van contain some information on the religion of that area, though they are mostly concerned with other matters.
The clay tablets of Assyrian commercial colonists found at Kültepe, Alişar, and Boğazköy belong to the period immediately preceding the rise of the kingdom of Hattusa, but they contain little information bearing on the life of the indigenous population. For all earlier periods, scholars are dependent on the inarticulate data of archaeology—isolated finds, the interpretation of which leaves a large element of uncertainty.
Prehistoric periods
The earliest evidence of religious beliefs has come to light at the mound of Çatal Hüyük, to the south of modern Konya. Here in four seasons of excavations (1961–65), James Mellaart discovered remains of a Neolithic village of mud-brick houses, many of which could be identified as shrines. They are dated by radiocarbon to about 6500–5800 bc (calculated with a half-life of 5,730 years). Huge figures of goddesses in the posture of giving birth, leopards, and the heads of bulls and rams are modeled in high relief on the walls of some of these shrines. Others contain frescoes showing elaborate scenes such as the hunting of deer and aurochs, or vultures devouring headless human corpses. A series of stone and terra-cotta statuettes found in these shrines represent a female figure, sometimes accompanied by leopards and, from the earlier levels of excavation, a male either bearded and seated on a bull or youthful and riding a leopard. The main deity of these Neolithic people was evidently a goddess, a mistress of animals, with whom were associated both a son and a consort. Her character is vividly shown by a schist plaque carved to represent two scenes, a sacred marriage and a mother with child. The dead appear to have been excarnated in a mortuary outside the village by exposure to vultures, as shown in the painting, before being buried under the platforms in the houses.
At Hacilar, near Lake Burdur, a somewhat later culture was unearthed by the same excavator, and here again were found statuettes of goddesses associated with felines; but, as in the later levels at Çatal Hüyük, the son or consort is absent.
Entirely different and far removed in time and place are the discoveries at Alaca Hüyük and Horoztepe in northern Anatolia. Here, dating from the latter half of the 3rd millennium bc (c. 2400–2200), were found royal tombs richly furnished with artifacts in bronze and precious metals. Beside the heads of skeletons lay female figurines; one such figure found in a grave at Horoztepe represents a mother nursing her child. Many of the objects found in these graves must have had ritual significance. At Horoztepe a bronze sistrum, or rattle, was found. But the outstanding feature of the graves at both sites is the occurrence of bronze standards, which may have been carried on poles. They are openwork objects of circular or occasionally rhomboid form and are adorned with figures of animals (bulls, stags [see photograph], and, in one instance, felines), birds, flowers, and swastikas and other geometric patterns. Other standards, consisting of simple statuettes of stags or bulls, also occur.
The archaeological finds of central Anatolia follow immediately after the period of these royal tombs from the Pontic region. Kültepe, near Kayseri, became in the 19th century bc the centre of Assyrian trading outposts (kārum); but from the mound itself, from a level just prior to the foundation of the Assyrian colonies, have come a series of remarkable statuettes. The majority of these are abstract, disk-shaped idols without limbs; many of them have two, three, or even four heads, and others bear on their chests small male figures in relief, in one case accompanied by a lion. There can be little doubt that here again is a representation of a divine family—a mother goddess with consort and child or children. From a level at Boğazköy contemporary with Kültepe comes a limestone mold of a “mistress of animals,” a nude goddess standing on a pair of felines and holding aloft an animal in either hand. Molds for a pair of figures, a bearded god and a goddess—the god carries various weapons or emblems, the goddess in most instances holds a baby—have been found at several sites at a somewhat later level.
Though the Old Assyrian tablets are concerned exclusively with commercial matters, the seal impressions that they bear contain a new and elaborate system of religious symbolism (iconography) that later reached its maturity under the Hittites. Here a whole pantheon of deities, some recognizably Mesopotamian, others native Anatolian, are distinguished by such features as dress, attendant animals, weapons, actions, and attitudes. Among them are several weather gods, all associated with a bull, but distinguished in various ways; the weather is depicted in the form of rain falling above the god. A bull alone, carrying an enigmatic pyramid upon its back, sometimes surmounted by a bird, is a particularly common motif and probably symbolizes a weather god. Other deities are a war god holding various weapons, a hunting god holding a bird or hare, a god in a horse-drawn chariot, another in a wagon drawn by boars, a goddess enthroned and surrounded by animals, a nude goddess, and several composite beings. On many seals the deity—and especially the bull with the pyramid—is shown receiving ritual offerings.

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