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Color photography aims to reproduce natural colors by combining three primary color stimuli: blue, green, and red. These can be combined additively, by mixing colored lights, or subtractively, by passing white light through complementary filters. The first practical color process was the Autochrome process in 1907. Modern color photography, however, largely relies on subtractive synthesis, pioneered by Kodachrome film in 1935. This process uses three sensitized layers sensitive to blue, green, and red light, which are then reversal-processed to create dye images in complementary colors (yellow, magenta, and cyan) that combine to reproduce the original scene's colors.123

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