- Born:
- October 23, 1936, Chicago, Illinois, U.S. (age 90)
Philip Kaufman
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Who is Philip Kaufman?
Philip Kaufman, born on October 23, 1936, is an American film director and screenwriter celebrated for his adaptations of literary works such as The Right Stuff (1983) and The Unbearable Lightness of Being (1988). After graduating from the University of Chicago, he made his first film, Goldstein, in 1964, a satirical allegory that he co-wrote and co-directed with Benjamin Manaster. Kaufman's work includes the western The Great Northfield Minnesota Raid (1972) and the science fiction film Invasion of the Body Snatchers (1978).
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What is Philip Kaufman known for in the film industry?
Philip Kaufman is an American film director and screenwriter particularly noted for his adaptations of literary works. One of the most ambitious of these is The Right Stuff (1983), based on Tom Wolfe's history of the U.S. astronaut program. He also wrote (with George Lucas) the story for Steven Spielbergâs Raiders of the Lost Ark (1981); he later worked with Lucas to further develop the Indiana Jones series. Another notable adaptation is The Unbearable Lightness of Being (1988), from Milan Kundera's novel, for which he cowrote an Academy Award-nominated screenplay. Kaufman also directed the science fiction film Invasion of the Body Snatchers (1978).
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Which are some notable movies directed by Philip Kaufman?
Philip Kaufman is an American film director and screenwriter known for adapting literary works. Some of his notable movies include:
- Goldstein, a satirical allegory about the prophet Elijah
- Invasion of the Body Snatchers, a remake of Don Siegelâs 1956 classic
- The Wanderers, about a gang of Italian American teenagers in the Bronx in 1963
- The Right Stuff, an adaptation of Tom Wolfeâs history of the U.S. astronaut program
- The Unbearable Lightness of Being, adapted from Milan Kunderaâs novel
- Henry & June, based on AnaĂŻs Ninâs memoir about her relationship with Henry Miller
- Rising Sun, adapted from Michael Crichtonâs novel
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How did Philip Kaufman's style influence his movies?
Philip Kaufman is known for his versatility and adaptations of literary works, which significantly influenced his movies. He often combines different elements to create unique portraits of an era, as seen in The Wanderers (1979), which mixes gang rumbles, sexual awakenings, and family issues.
Kaufman's style involves compressing complex narratives into cohesive screenplays, showcased in The Right Stuff (1983), his adaptation of Tom Wolfe's novel. He also explores erotic drama, co-writing Henry & June (1990) with his wife, based on AnaĂŻs Ninâs memoir. His willingness to soften controversial elements, as seen in Rising Sun (1993), demonstrates his adaptability in filmmaking.
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What impact did Philip Kaufman have on American cinema?
Philip Kaufman is an American film director and screenwriter known for his versatile adaptations of literary works. His film, The Right Stuff, is an ambitious adaptation of Tom Wolfeâs history of the U.S. astronaut program. Kaufman also directed The Unbearable Lightness of Being, adapted from Milan Kunderaâs novel, for which he received an Academy Award nomination for the screenplay. In 1990, he wrote Henry & June with his wife, Rose; it was the first movie to receive an NC-17 rating.
2 Britannica SourcesCreated from Britannica articles using AI. AI can make mistakes, so verify using Britannica articles.
Philip Kaufman (born October 23, 1936, Chicago, Illinois, U.S.) is an American film director and screenwriter who is especially known for his adaptations of literary works, notably The Right Stuff (1983) and The Unbearable Lightness of Being (1988).
Early work
After graduating from the University of Chicago, Kaufman attended Harvard Law School before moving to Europe to teach. In 1964 he made his first film, Goldstein, which he cowrote and codirected with Benjamin Manaster. The independent production was a satirical allegory about the prophet Elijah (played by Lou Gilbert) rising out of Lake Michigan only to encounter an assortment of Chicago eccentrics, including author Nelson Algren, who appeared as himself. Kaufman next produced, directed, and wrote Fearless Frank, another quasi-religious, wholly satirical fable that was shot in 1964, but it languished until 1967, when it was shown at the Cannes film festival. Jon Voight, in his first screen appearance, played a young man who comes to Chicago, is murdered, and then is brought back to life as a superhero.
In 1972 Kaufman turned to more serious fare with The Great Northfield Minnesota Raid, a western about the outlaw gang led by the James and Younger brothers. Robert Duvall and Cliff Robertson headed the cast, but Kaufmanâs demythologizing of this episode in U.S. history was met with mixed reviews. For his next project, Kaufman traveled to northern Canada to film The White Dawn (1974), a tale about whalers (Warren Oates, Louis Gossett, Jr., and Timothy Bottoms) who are stranded in the Arctic at the turn of the 20th century. They are saved and sheltered by Inuit, but cultural differences lead to mounting tension. Kaufman then cowrote and started to helm the western The Outlaw Josey Wales (1976), but he was fired by Clint Eastwood, who took over directing.
In 1978 Kaufman ventured into science fiction with Invasion of the Body Snatchers, a remake of Don Siegelâs 1956 classic. Kaufman created an atmosphere of mounting dread, and the castâwhich included Donald Sutherland, Brooke Adams, Leonard Nimoy, and Jeff Goldblumâwas notable.
Adaptations
Kaufman continued to illustrate his versatility with The Wanderers (1979). Based on Richard Priceâs novel about a gang of Italian American teenagers in the Bronx in 1963, the acclaimed film combined gang rumbles, sexual rites of passage, and dysfunctional families into a portrait of an era. Kaufman subsequently took a break from directing to write (with George Lucas) the story for Steven Spielbergâs Raiders of the Lost Ark (1981); he later worked with Lucas to further develop the Indiana Jones series.
In 1983 Kaufman returned to directing with one of the most ambitious pictures of the decade, an adaptation of Tom Wolfeâs impressionistic history of the U.S. astronaut program, The Right Stuff. As its screenwriter, Kaufman faced the daunting task of compressing Wolfeâs discursive epic into a cohesive narrative. The film is full of harrowing heroism, comic interludes, and sometimes haunting imagery. Sam Shepard portrayed the charismatic Chuck Yeager, while Barbara Hershey, Dennis Quaid, Scott Glenn, Ed Harris, and Fred Ward all registered memorable performances. Although critically praised, The Right Stuff failed at the box office.
Five years passed before Kaufman brought The Unbearable Lightness of Being (1988) to the big screen. Kaufman adapted it from Milan Kunderaâs novel, and he cowrote the Academy Award-nominated screenplay. The film centers on a womanizing doctor (played by Daniel Day-Lewis) who continues to cheat after getting married; Juliette Binoche and Lena Olin gave notable turns as the wife and mistress, respectively.
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Kaufman wrote the erotic drama Henry & June (1990) with his wife, Rose. It was based on AnaĂŻs Ninâs memoir about her relationship with Henry Miller and his wife, June. Fred Ward played Miller, who is trying to write Tropic of Cancer in between trysts, while Uma Thurman was the predatory June; Maria de Medeiros played AnaĂŻs. The art-house film created a stir when released, and it was the first movie to receive an NC-17 rating (no children under age 17 admitted).
Kaufman then moved to more commercial fare by adapting Michael Crichtonâs best-selling novel Rising Sun (1993), a thriller centering on the murder of a woman at the Los Angeles office of a Japanese corporation. Crichton and Kaufman initially collaborated on the screenplay, but Crichton withdrew early on, apparently as a result of Kaufmanâs softening of the bookâs anti-Japan posturing. Despite a cast headed by Sean Connery, the crime drama received a tepid response from critics and moviegoers.
Films in the 21st century
After a seven-year absence, Kaufman returned to directing with Quills (2000), an adaptation of the Broadway play about the Marquis de Sade. The film was a critical success, earning star Geoffrey Rush an Oscar nomination for his performance as the imprisoned de Sade. Kate Winslet played the prison laundress who helps smuggle his writings to the outside world for publication, while Michael Caine was villainous as a doctor far more sadistic than de Sade. After Twisted (2004), which stars Ashley Judd as a San Francisco homicide inspector suspected of being a serial killer, Kaufman made the television movie Hemingway & Gellhorn (2012). The HBO production featured Clive Owen as the mercurial author and Nicole Kidman as the equally formidable journalist Martha Gellhorn.