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Ezequiel MartĂ­nez Estrada
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Illustration of "The Lamb" from "Songs of Innocence" by William Blake, 1879. poem; poetry
A Study of Poetry
4:043 Dickinson, Emily: A Life of Letters, This is my letter to the world/That never wrote to me; I'll tell you how the Sun Rose/A Ribbon at a time; Hope is the thing with feathers/That perches in the soul
Famous Poets and Poetic Form
Emily Dickinson (1830-1886) only confirmed photograph of Emily Dickinson. 1978 scan of a Daguerreotype. ca. 1847; in the Amherst College Archives. American poet. See Notes:
Poetry: First Lines
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Born:
September 14, 1895, San José de la Esquina, Argentina
Died:
November 3, 1964, BahĂ­a Blanca (aged 69)
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Ezequiel MartĂ­nez Estrada

Argentine author
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‱History

Ezequiel MartĂ­nez Estrada (born September 14, 1895, San JosĂ© de la Esquina, Argentina—died November 3, 1964, BahĂ­a Blanca) was a leading post-Modernismo Argentine writer who influenced many younger writers.

Martínez Estrada worked for 30 years (1916–46) at the Buenos Aires post office while also teaching initially in a preparatory school and later at the university there. Mostly self-taught, he began his literary career with essays in the journal Nosotros (“We”) (1917). His first book of poems, Oro y piedra (1918; “Gold and Stone”), was followed by Nefelibal (1922), Motivos del cielo (1924; “Heaven’s Reasons”), Argentina (1927), and Humoresca (1929). These displayed very complex techniques. Language and imagery are often tinted with humour, conveying a satirical view reminiscent of Francisco Gómez de Quevedo y Villegas, the master satirist of Spain’s Golden Age.

His view of the political and economic crises of the early 1930s and of what he saw as factors contributing to moral and social decay in Argentina led him to write Radiografía de la pampa (1933; X-Ray of the Pampa), a comprehensive psychological study of the Argentine character laden with fatalistic overtones. La cabeza de Goliat: Microscopía de Buenos Aires (1940; “The Head of Goliath: A Microscopic Study of Buenos Aires”) treats the people of Buenos Aires and continues the themes of Radiografía.

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Emily Dickinson (1830-1886) only confirmed photograph of Emily Dickinson. 1978 scan of a Daguerreotype. ca. 1847; in the Amherst College Archives. American poet. See Notes:
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Poetry: First Lines

Among the works that made MartĂ­nez Estrada a respected critic are MartĂ­n Fierro, Muerte y transfiguraciĂłn del MartĂ­n Fierro, 2 vol. (1948; “The Death and Transfiguration of Martin Fierro”), El mundo maravilloso de Guillermo Enrique Hudson (1951; “The Wonderful World of Guillermo Enrique Hudson”), and El hermano Quiroga (1957; “Brother Quiroga”). From 1960 to 1962 he worked with the Cuban government publishing house Casa de las AmĂ©ricas. In 1988 selected short stories by MartĂ­nez Estrada were published as Holy Saturday and Other Stories.

This article was most recently revised and updated by Encyclopaedia Britannica.