âŠwas followed by Nefelibal (1922), Motivos del cielo (1924; âHeavenâs Reasonsâ), Argentina (1927), and Humoresca (1929). These displayed very complex techniques. Language and imagery are often tinted with humour, conveying a satirical view reminiscent of Francisco GĂłmez de Quevedo y Villegas, the master satirist of Spainâs Golden Age.
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