yangcai
Quick Summary
The term "yangcai" in Chinese art refers to "foreign colors," a style of decoration used on porcelain, particularly during the Qing dynasty. This technique involved applying opaque enamel colors over a base of opaque enamel, usually white, which was then fired. The palette of colors used in yangcai was the same as that used for enameling porcelain, and this style was influenced by European painted enamels.1
The best period for yangcai was the 18th century, with production declining after 1796. This style was often seen as foreign in taste, and much of the Canton enamelware, a related term, was produced for export. While yangcai specifically refers to these "foreign colors" on porcelain, the broader concept of Chinese art emphasizes linearity, symbolism, and a connection to nature, with themes often reflecting moral and social functions rather than war or violence.1234
- Eight Eccentrics of Yangzhou
- Chinese pottery - The formative period (to c. 1600 bce )
- enamelwork - Painted enamels
- Chinese pottery - The Ming dynasty (1368–1644)
- Chinese painting - Characteristic themes and symbols
- Chinese painting - Characteristics of painting
- Chinese painting - Zhou dynasty (1046–256 bce )
- pottery - Overglaze colours
- Chinese painting - Qing dynasty (1644–1911/12)
- Chinese art
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famille rose…known to the Chinese as yangcai (“foreign colours”) because they were first introduced from Europe (about 1685). By the time of the reign of Yongzheng (1722–35) in the Qing dynasty (1644–1911/12), these shades were favoured over the translucent famille verte overglaze colours that were previously used and famille rose wares…
Read More…known to the Chinese as yangcai (“foreign colours”) because they were first introduced from Europe (about 1685). By the time of the reign of Yongzheng (1722–35) in the Qing dynasty (1644–1911/12), these shades were favoured over the translucent famille verte overglaze colours that were previously used and famille rose wares…
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potteryOverglaze colours…were called “foreign colours” (yangcai). It soon formed the characteristic colour of a group of wares, referred to as the famille rose, which was particularly developed during the reign of the Yongzheng emperor. It more or less replaced the verte palette. The translucent overglaze colours of the earlier period…
Read More…were called “foreign colours” (yangcai). It soon formed the characteristic colour of a group of wares, referred to as the famille rose, which was particularly developed during the reign of the Yongzheng emperor. It more or less replaced the verte palette. The translucent overglaze colours of the earlier period…
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enamelworkPainted enamels…under foreign influence is called yangcai (“foreign colours”). A ground of opaque enamel, generally white, is laid on the copper, and on this the colours are superimposed and fired. The best period of this art was the 18th century. Although imitations have continued to be made, nothing of real quality…
Read More…under foreign influence is called yangcai (“foreign colours”). A ground of opaque enamel, generally white, is laid on the copper, and on this the colours are superimposed and fired. The best period of this art was the 18th century. Although imitations have continued to be made, nothing of real quality…
Read More