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The "ideal theory of art" suggests that a work of art is not a physical object but rather a mental "intuition." This intuition is grasped by the audience during aesthetic understanding. However, this theory is problematic because we can only identify an intuition through its physical embodiment, such as a book, a musical performance, or a canvas. The ideal theory posits that the work of art cannot exist independently of these physical forms.1

The philosophy of art has increasingly focused on the nature of art itself, moving away from the philosophy of natural beauty. This shift acknowledges that art is a significant human institution that offers more than just enjoyment, providing meaning and solace. The concept of understanding is crucial in appreciating art, suggesting it functions as an instrument of knowledge through representation and expression.23

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