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Vormen (1924), meaning "Forms," is the second volume of poetry by Dutch poet Martinus Nijhoff. This collection is noted for its demonic elements and a more direct, realistic approach to Christianity, as seen in poems like "The Soldier Who Crucified Jesus". While Nijhoff's first volume, De wandelaar, explored themes of isolation and despair, Vormen continues to grapple with spiritual frustration, though it also hints at a developing engagement with faith. Nijhoff is considered the greatest Dutch poet of his generation, recognized for his original imagery and technical skill.1

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2 Britannica Sources
  1. Martinus Nijhoff
  2. Jan van Nijlen

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