âŠto Jiangâan, where he wrote Tuibian (1940; âMetamorphosisâ), a patriotic work in which he expressed the hope that China would throw off the constraints of the old ways and embrace the new. He followed it with Beijingren (1940; rev. ed. 1947; âBeijing Manâ; Eng. trans. Peking Man), thought by manyâŠ
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