…“Young Man with a Hoe”), Tuhu (1933; “The Butcher”), and Guodu (1936; “River Crossing”; later rewritten and published as Houfang [1937; “Rearguard”]). His productions, which often used Western dramatic techniques and emphasized the importance of staging, won him wide renown; he described his experiences in the book Xiju dazhonghua zhi…
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