The Warehouse

While go-go was the rage in Washington, D.C., and hip-hop was ascendant in New York City, gay Chicago was laying the foundation for the most lastingly influential of early 1980s African-American dance musics, house. The name came from a club, the Warehouse, where deejay Frankie Knuckles eschewed the contemporary gay dance music style, the ultrafast Hi-NRG. Instead, he made new music by mixing together snatches of other material—gloomily anxious Joy Division tracks, synthesizer-driven Eurodisco, snatches...