The Tresor

…and mercantile classes with his Li livres dou trésor (c. 1264; “Treasure Books”) and therefore used a concise and accurate style that evoked an immediate and general welcome. Gregor Reisch managed to cover the whole university course of the day in his brief Margarita philosophica, which correctly interpreted the taste…

…such as the Mappemonde and Li livres dou trésor, and the reflection of the impact of Greek philosophical works (in translation) in the middle of the 13th century. In this era there was an increasing number of lay encyclopaedists—e.g., Latini, Bandini, de la Torre—and the subject coverage changed to give…

…breakaway from Latin came with Li livres dou trésor (“Treasure Books”) of Brunetto Latini (c. 1220–95), the master of Dante, and the Florentine poet and philosopher Guido Cavalcanti. Latini wanted to reach the mercantile and cultured classes of Italy; he therefore used French, their common language. The arrangement of his…

…Li Livres dou Trésor (1262–66; The Tresor), was written in French (Latini had passed his years of exile in France), its culture is Dante’s culture; it is a repository of classical citation. The first part of Book II contains one of the early translations in a modern European vernacular of…

…of Venice”) and the encyclopaedic Livres dou trésor (c. 1260; “Books of the Treasure”)—were much better acquainted with French, while poets such as Sordello of Mantua wrote lyrics in the Provençal language, revealing an exact knowledge of the language and of Provençal versification. Provençal love lyrics were, in fact, as…