The Prophet

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The Prophet

sculpture by Gargallo

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Pablo Gargallo
In these works, such as The Prophet (1930) and Picador (1928), Gargallo used Cubist techniques without adopting complete abstraction. After his death he was honoured with four major posthumous exhibitions: in Madrid (1935), Paris (1935 and 1947), and at the Venice Biennale (1955).
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In these works, such as The Prophet (1930) and Picador (1928), Gargallo used Cubist techniques without adopting complete abstraction. After his death he was honoured with four major posthumous exhibitions: in Madrid (1935), Paris (1935 and 1947), and at the Venice Biennale (1955).
Read More