(1983), The Satanic Verses (1988), The Moorās Last Sigh (1995), and The Ground Beneath Her Feet (1999) further demonstrate, stylistic miscellaneousnessāa way of writing that exhibits the vitalizing effects of cultural cross-fertilizationāis especially suited to conveying postcolonial experience. (The Satanic Verses was understood differently in the Islamic world, to theā¦
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