Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE TO PREMIUM
  • Home
  • Biographies
  • Animals & Nature
  • History & Society
  • Science & Tech
  • Geography & Travel
  • Arts & Culture
  • ProCon
  • Money
  • Games & Quizzes
  • Videos
  • Today in History
  • Dictionary
  • New Articles
Biographies
  • Browse Biographies
Animals & Nature
  • Birds, Reptiles & Other Vertebrates
  • Environment
  • Fossils & Geologic Time
  • Insects & Other Invertebrates
  • Mammals
  • Plants
History & Society
  • History
  • Philosophy & Religion
  • Politics, Law & Government
  • Society & Social Issues
Science & Tech
  • Health & Medicine
  • Science
  • Technology
Geography & Travel
  • Geography & Travel
Arts & Culture
  • Entertainment & Pop Culture
  • Literature
  • Sports & Recreation
  • Visual Arts
  • Image Galleries
  • Podcasts
  • Summaries
  • Top Questions
  • Lists and Stories
  • Britannica Kids
Ask the Chatbot Games & Quizzes History & Society Science & Tech Biographies Animals & Nature Geography & Travel Arts & Culture ProCon Money Videos
The Lie
References
Britannica AI Icon

The Lie

poem by Raleigh
Written by
The Information Architects of Encyclopaedia Britannica

The Information Architects maintain a master list of the topics included in the corpus of  EncyclopĂŠdia Britannica, and create and manage the relationships between them.

The Information Architects of Encyclopaedia Britannica

Learn about this topic in these articles:

  • Beowulf
    English literature
    / Other poetic styles

    
court; his scattered lyrics—notably “The Lie,” a contemptuous dismissal of the court—often draw their resonance from the resources of the plain style. Another courtier whose writing suggests similar pressures is Greville. His Caelica (published 1633) begins as a conventional sonnet sequence but gradually abandons Neoplatonism for pessimistic reflections on


    Read More

    
court; his scattered lyrics—notably “The Lie,” a contemptuous dismissal of the court—often draw their resonance from the resources of the plain style. Another courtier whose writing suggests similar pressures is Greville. His Caelica (published 1633) begins as a conventional sonnet sequence but gradually abandons Neoplatonism for pessimistic reflections on


    Read More