…Il diavolo a Pontelungo (1927; The Devil at the Long Bridge) and Il mulino del Po (1938–40; The Mill on the Po), produced historical narrative writing of lasting quality. Aldo Palazzeschi, in Stampe dell’Ottocento (1932; “Nineteenth-Century Engravings”) and Sorelle Materassi (1934; The Sisters Materassi), reached the height of his
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