The Dance of Death

Strindberg’s Dance of Death (1901), with its cruelty and pain dispensed with robust pleasure by a fiercely battling husband and wife, is a significant model of the grotesque in the modern theatre; it is reflected in such mid-20th-century examples of what came to be called black…

…in 2002 in August Strindberg’s The Dance of Death; both performances generated Tony Award nominations. Additional British stage credits included Tennessee Williams’s Orpheus Descending (2000) and Eugene O’Neill’s Mourning Becomes Electra (2003). She received a Laurence Olivier Award for The Audience