âŠreleasing increasingly polished work, including Talking with the Taxman About Poetry (1986), featuring the Motown-inspired âLevi Stubbsâ Tears,â and Workers Playtime (1988). After the more dogmatic The Internationale (1990), his songwriting resumed its characteristic blend of simple, poetic lyrics and evocative melodies, conveyed by Braggâs emotive Cockney-inflected voice, on DonâtâŠ
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