St. George Killing the Dragon

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St. George Killing the Dragon

work by Donatello

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Donatello
Early career
…relief in his marble panel St. George Killing the Dragon (1416–17). Known as schiacciato (“flattened out”), the technique involved extremely shallow carving throughout, which created a far more-striking effect of atmospheric space than before. The sculptor no longer modeled his shapes in the usual way but rather seemed to “paint”…
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…relief in his marble panel St. George Killing the Dragon (1416–17). Known as schiacciato (“flattened out”), the technique involved extremely shallow carving throughout, which created a far more-striking effect of atmospheric space than before. The sculptor no longer modeled his shapes in the usual way but rather seemed to “paint”…
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linear perspective
…be seen in Donatello’s relief St. George Killing the Dragon (c. 1416–17) and Masaccio’s painting The Holy Trinity (1425–27), a dramatic illusionistic crucifixion. Andrea Mantegna (who also mastered the technique of foreshortening), Leonardo da Vinci, and German artist Albrecht Dürer are
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…be seen in Donatello’s relief St. George Killing the Dragon (c. 1416–17) and Masaccio’s painting The Holy Trinity (1425–27), a dramatic illusionistic crucifixion. Andrea Mantegna (who also mastered the technique of foreshortening), Leonardo da Vinci, and German artist Albrecht Dürer are
Read More