Southern firms such as Ruebush-Kieffer and A.J. Showalter began to publish small collections of music every year or two. These upright songbooks gradually began to supplant the large oblong tunebooks and their fixed repertoire. After 1900, mass-market publishers such as James D. Vaughan, V.O. Stamps, and J.R. (âPapâ) BaxterâŠ
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