Review

…Defoe’s industrious work on the Review (1704–13), which consisted, in essence, of a regular political essay defending, if often by indirection, current governmental policy. He also secured Jonathan Swift’s polemical skills for contributions to The Examiner (1710–11). Swift’s most ambitious intervention in the paper war, again overseen by Harley, was…

…radical departure was the triweekly Review (1704–13), produced by Daniel Defoe, in which the writer’s opinion on current political topics was given, introducing the editorial, or leading article. Defoe had been imprisoned, in 1702, for his pamphlet The Shortest Way with Dissenters, but many eminent British writers were being attracted…

…enormous influence: Daniel Defoe’s The Review (1704–13; thrice weekly); Sir Richard Steele’s The Tatler (1709–11; thrice weekly), to which Joseph Addison soon contributed; and Addison and Steele’s The Spectator (1711–12, briefly revived in 1714; daily). Though they resembled newspapers in the frequency of their appearance, they were more like magazines…

…Way With Dissenters, started the Review. This periodical, which basically looked like a newspaper, published news and political commentary for elites three times a week; it survived until 1712. In 1709, Richard Steele and Joseph Addison edited the Tatler, a publication that included articles covering politics, international and theatrical news,…

…however, was his periodical, the Review. He wrote this serious, forceful, and long-lived paper practically single-handedly from 1704 to 1713. At first a weekly, it became a thrice-weekly publication in 1705, and Defoe continued to produce it even when, for short periods in 1713, his political enemies managed to have…