Requiem

Hector Berlioz's Requiem (1837) is a significant musical setting of the Mass for the Dead. A requiem mass typically omits the joyful parts of the Ordinary (Gloria and Credo) and includes sections from the Proper, such as the Introit and the dramatic "Dies Irae" (Day of Wrath).1

Berlioz's Requiem, officially titled Grande Messe des morts, was commissioned for a ceremonial occasion. It is known for its large-scale orchestration, calling for extensive forces including multiple choirs and instrumental sections placed throughout the performance space. This work is a prime example of Berlioz's innovative approach to instrumentation and his focus on dramatic expression in music.23