Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE TO PREMIUM
  • Home
  • Biographies
  • Animals & Nature
  • History & Society
  • Science & Tech
  • Geography & Travel
  • Arts & Culture
  • ProCon
  • Money
  • Games & Quizzes
  • Videos
  • Today in History
  • Dictionary
  • New Articles
Biographies
  • Browse Biographies
Animals & Nature
  • Birds, Reptiles & Other Vertebrates
  • Environment
  • Fossils & Geologic Time
  • Insects & Other Invertebrates
  • Mammals
  • Plants
History & Society
  • History
  • Philosophy & Religion
  • Politics, Law & Government
  • Society & Social Issues
Science & Tech
  • Health & Medicine
  • Science
  • Technology
Geography & Travel
  • Geography & Travel
Arts & Culture
  • Entertainment & Pop Culture
  • Literature
  • Sports & Recreation
  • Visual Arts
  • Image Galleries
  • Podcasts
  • Summaries
  • Top Questions
  • Lists and Stories
  • Britannica Kids
Ask the Chatbot Games & Quizzes History & Society Science & Tech Biographies Animals & Nature Geography & Travel Arts & Culture ProCon Money Videos
Recycled Records
References
Britannica AI Icon

Recycled Records

work by Marclay
Written by
The Information Architects of Encyclopaedia Britannica

The Information Architects maintain a master list of the topics included in the corpus of  EncyclopĂŠdia Britannica, and create and manage the relationships between them.

The Information Architects of Encyclopaedia Britannica

Learn about this topic in these articles:

  • Christian Marclay

    
extremity of Marclay’s manipulations—for his Recycled Records (1980–86) series, he sliced apart vinyl and reassembled the shards to form new sequences of sound—was considered innovative. As an avant-garde deejay (or “turntablist”) in New York City in the 1980s, he collaborated with such musicians as John Zorn and the band Sonic


    Read More

    
extremity of Marclay’s manipulations—for his Recycled Records (1980–86) series, he sliced apart vinyl and reassembled the shards to form new sequences of sound—was considered innovative. As an avant-garde deejay (or “turntablist”) in New York City in the 1980s, he collaborated with such musicians as John Zorn and the band Sonic


    Read More