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The Pietà by Bartolomé Bermejo, painted around 1490, is a significant work demonstrating Renaissance techniques. This painting depicts the Virgin Mary mourning over the dead body of Christ, a theme that originated in 14th-century German art and became a poignant expression of Christian devotion. Bermejo's Pietà is notable for its departure from earlier works by omitting gold backgrounds, instead featuring a detailed landscape under a stormy sky, influenced by Flemish masters like Rogier van der Weyden. The inclusion of the donor, Luis Desplà, as a kneeling figure is considered one of the finest portraits of its time. This work is widely regarded as Bermejo's finest achievement and a key example of his mastery of Renaissance style in Spain.123

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