Petrushka

work by Diaghilev and Stravinsky

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July 23, 2026

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Petrushka is a Russian folk puppet character, typically depicted as a young boy with a hooked nose and a humpback. This character was made internationally famous by the 1911 ballet of the same name. The ballet featured music by Igor Stravinsky, a libretto by Alexandre Benois, and choreography by Michel Fokine. It was created for Serge Diaghilev's renowned Ballets Russes.1

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3 Britannica Sources

Petrushka
Marius Petipa
list of musical compositions - Russian

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- theatre music
  Music for ballet
  Diaghilev: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). The first two continue to be performed in their original choreography by Michel Fokine, also a Russian, each with a narrative basis illustrated in music notable for its expressive colour and harmonic innovations. The Rite of Spring…
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  Diaghilev: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). The first two continue to be performed in their original choreography by Michel Fokine, also a Russian, each with a narrative basis illustrated in music notable for its expressive colour and harmonic innovations. The Rite of Spring…
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- Emmanuel Chabrier
  …anticipated effects in Igor Stravinsky’s Petrushka (1911).
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  …anticipated effects in Igor Stravinsky’s Petrushka (1911).
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- Petrushka
  …internationally famous by the ballet Petrushka (1911), with music by Igor Stravinsky, libretto by Alexandre Benois, and choreography by Michel Fokine for Serge Diaghilev’s Ballets Russes.
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  …internationally famous by the ballet Petrushka (1911), with music by Igor Stravinsky, libretto by Alexandre Benois, and choreography by Michel Fokine for Serge Diaghilev’s Ballets Russes.
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- polytonality
  Stravinsky’s Petrushka (1911) employs “black keys against white” (in terms of the piano keyboard), combining C major and F♯ major. Sergey Prokofiev’s Sarcasms for piano juxtaposes the keys of F♯ minor in the right hand and B♭ minor in the left, while Darius Milhaud’s Saudades do…
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  Stravinsky’s Petrushka (1911) employs “black keys against white” (in terms of the piano keyboard), combining C major and F♯ major. Sergey Prokofiev’s Sarcasms for piano juxtaposes the keys of F♯ minor in the right hand and B♭ minor in the left, while Darius Milhaud’s Saudades do…
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- Tamara Platonovna Karsavina
  …de la Rose, Carnaval, Firebird, Petrushka, and Thamar. She also created leading roles in Léonide Massine’s The Three-Cornered Hat and Pulcinella. She came out of semiretirement in the early 1930s to revive some of her more famous roles for the Ballet Rambert and to create new ones for Frederick Ashton.
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  …de la Rose, Carnaval, Firebird, Petrushka, and Thamar. She also created leading roles in Léonide Massine’s The Three-Cornered Hat and Pulcinella. She came out of semiretirement in the early 1930s to revive some of her more famous roles for the Ballet Rambert and to create new ones for Frederick Ashton.
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Serge Diaghilev
…composer Stravinsky: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). In Petrushka, perhaps the greatest of the Diaghilev ballets, Stravinsky, at Diaghilev’s insistence, transformed a conventionally conceived piano concerto (on which he had been working) into a mimed ballet, bringing into real life the fantasy dramas of…
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…composer Stravinsky: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). In Petrushka, perhaps the greatest of the Diaghilev ballets, Stravinsky, at Diaghilev’s insistence, transformed a conventionally conceived piano concerto (on which he had been working) into a mimed ballet, bringing into real life the fantasy dramas of…
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Igor Stravinsky
Life and career
…13, 1911, of the ballet Petrushka, with Vaslav Nijinsky dancing the title role to Stravinsky’s musical score. Meanwhile, Stravinsky had conceived the idea of writing a kind of symphonic pagan ritual to be called Great Sacrifice. The result was The Rite of Spring (Le Sacre du printemps), the composition of…
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…13, 1911, of the ballet Petrushka, with Vaslav Nijinsky dancing the title role to Stravinsky’s musical score. Meanwhile, Stravinsky had conceived the idea of writing a kind of symphonic pagan ritual to be called Great Sacrifice. The result was The Rite of Spring (Le Sacre du printemps), the composition of…
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