Orlando furioso
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Orlando furioso is an epic poem written by Ludovico Ariosto and published in 1516. It is considered a masterpiece of the Italian Renaissance. The poem continues the story of Orlando, a hero from the Charlemagne epics.12
The narrative centers on three main plotlines: Orlando's unrequited love for Angelica, which drives him mad (hence furioso); the war between Christians and Saracens near Paris; and the love story of Ruggiero and Bradamante. Ariosto skillfully weaves these episodes together, unified by his own distinct narrative voice and a refined spirituality that imbues his characters. The poem explores themes of sensual love, tempered by irony and artistic detachment.1
Orlando furioso was immensely popular across Europe and significantly influenced Renaissance literature.1
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- Matteo Maria Boiardo, count di Scandiano
Orlando innamorato (to which Ariosto’s Orlando furioso was conceived as a sequel) glorifies military honour, patriotism, and religion. The poem did not achieve popularity, partly because of its dialectical and erudite language, partly because of the careless construction of the episodes and characters, but chiefly because of its delineation of…
Read MoreOrlando innamorato (to which Ariosto’s Orlando furioso was conceived as a sequel) glorifies military honour, patriotism, and religion. The poem did not achieve popularity, partly because of its dialectical and erudite language, partly because of the careless construction of the episodes and characters, but chiefly because of its delineation of…
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history of EuropeArts and letters…finest of all Italian epics, Orlando furioso. The ability of the medieval epic and folk traditions to inspire the poets of such sophisticated centers as Florence and Ferrara suggests that, humanist disdain for the Dark Ages notwithstanding, Renaissance Italians did not allow Classicism to cut them off from their medieval…
Read More…finest of all Italian epics, Orlando furioso. The ability of the medieval epic and folk traditions to inspire the poets of such sophisticated centers as Florence and Ferrara suggests that, humanist disdain for the Dark Ages notwithstanding, Renaissance Italians did not allow Classicism to cut them off from their medieval…
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- Bradamante
…a female Christian knight in Orlando furioso (1516) by Ludovico Ariosto. Her chaotic romance with the Saracen knight Ruggiero is a major element of the plot.
Read More…a female Christian knight in Orlando furioso (1516) by Ludovico Ariosto. Her chaotic romance with the Saracen knight Ruggiero is a major element of the plot.
Read More - Ruggiero
>Orlando furioso (1532).
Read More>Orlando furioso (1532).
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