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Musica enchiriadis

work by Hucbald

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The Musica enchiriadis, a medieval musical treatise, is often attributed to Hucbald, though some scholars believe it was written by a different author known as Pseudo-Hucbald. This work is significant for providing the earliest written description of parallel organum, a form of polyphony where a plainchant melody is sung simultaneously with another voice moving in parallel fourths or fifths.12

The development of polyphony, the simultaneous sounding of multiple melodic lines, emerged during the early Middle Ages. The Musica enchiriadis describes how a second voice, the vox organalis, could be added to a plainchant melody (vox principalis) at the interval of a fourth or fifth below. This practice, known as organum, marked a departure from monophony and laid the groundwork for future developments in Western music.3

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