Mughāmarat raʾs al-mamlūk Jābir (1971; “The Adventure of Mamlūk Jābir’s Head”) and Al-Malik huwa al-malik (1977; “The King’s the King”) continued his ongoing experiments with theatre dynamics through what he termed masraḥ al-tasyīs (“theatre of politicization”). Because Wannūs was such a crucially important figure, other…
Read More