Mr. Tambourine Man

…chart-topping version of Dylan’s “Mr. Tambourine Man.” The song launched the West Coast’s version of folk rock, which culminated in the Monterey Pop Festival in 1967, where Columbia’s new managing director, Clive Davis, proved willing to pay more than anyone else for new performers. By no means did all…

… group the Byrds covered “Mr. Tambourine Man” from that album, adding electric 12-string guitar and three-part harmony vocals, and took it to number one on the singles chart. Other rock artists were soon pilfering the Dylan songbook and joining the juggernaut. As Dylan’s mainstream audience increased rapidly, his purist…

…hit with Dylan’s song “Mr. Tambourine Man.” Their second number one hit, “Turn! Turn! Turn!,” which came at the end of that year, was based on Pete Seeger’s adaptation of verses from the book of Ecclesiastes.

…a version of Dylan’s “Mr. Tambourine Man,” went to number one in 1965, breaking the British Invasion’s year-long dominance of Top 40 airplay and record sales in the United States. They introduced Dylan’s songwriting to a new, commercially empowered, teenage pop audience and, in the process, established a new,…

He performed “Mr. Tambourine Man” and “It’s All Over Now Baby Blue,” and as he did so, according to Greil Marcus in Invisible Republic, there were tears in Dylan’s eyes. Scaduto too described the tears, and several accounts characterize Dylan as shaken and confused. Kooper, on the…