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Giambologna's bronze sculpture Mercury (c. 1580) is a notable Mannerist artwork that embodies fleetness and lightness. This sculpture, housed in the Bargello in Florence, showcases Giambologna's skill in using the play of light on the figure's surface to enhance the sense of speed.1

The sculpture draws inspiration from the Roman god Mercury, who is associated with merchants, travelers, and tricksters, and is often identified with the Greek god Hermes. Like Hermes, Giambologna's Mercury is depicted with winged sandals, symbolizing his swiftness. The composition of Mercury exemplifies Mannerist principles, carrying forward ideas seen in Cellini's Perseus by creating an open form that emphasizes movement and lightness. Giambologna was a leading Mannerist sculptor in Italy during the late 16th century, known for his dynamic compositions and ability to capture fleeting expressions.231

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