Lutetia
Learn about this topic in these articles:
- Jan van Krimpen
The typeface he produced, Lutetia (the Roman name for Paris), was the official lettering for an exhibition of Dutch art in Paris in 1927, and its reception led to his lifelong association with the firm. In addition to Lutetia, van Krimpen’s well-known faces include Antigone Greek (1927), Romanée (1928),…
Read MoreThe typeface he produced, Lutetia (the Roman name for Paris), was the official lettering for an exhibition of Dutch art in Paris in 1927, and its reception led to his lifelong association with the firm. In addition to Lutetia, van Krimpen’s well-known faces include Antigone Greek (1927), Romanée (1928),…
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typographyThe private-press movementAmong them are Lutetia, a modern roman and italic of great distinction; Romulus, a family of text types that includes a sloped roman letter instead of the conventional italic; and Cancellaresca Bastarda, an italic notable for its great number of attractive decorative capitals, ligatures, and other swash (i.e.,…
Read MoreAmong them are Lutetia, a modern roman and italic of great distinction; Romulus, a family of text types that includes a sloped roman letter instead of the conventional italic; and Cancellaresca Bastarda, an italic notable for its great number of attractive decorative capitals, ligatures, and other swash (i.e.,…
Read More