ā¦and Pompeja (1895); the oratorio Lucifer (1866), considered his masterpiece; the childrenās oratorio De waereld in (1878; āIn the Worldā); and the Quadrilogie religieuse (1864). In his late compositions he turned away from his previous models, composers Hector Berlioz and Giacomo Meyerbeer, and cultivated a style of studied simplicity. Thisā¦
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