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The inspired use of an empty silo helped put Phoenix, Arizona, on the rock-and-roll map during the late 1950s. Working at the tiny Audio Recorders studio, disc jockey-turned-producer Lee Hazlewood was obsessed with emulating the power and atmosphere of the then-current hits on Chess (of Chicago) and Sun (of Memphis), but he did not have access to performers with the energy of Howlin’ Wolf and Elvis Presley or their backing musicians. A relentless perfectionist, Hazlewood...