Languages of Art
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Nelson Goodman's Languages of Art (1968) presents a systematic theory of art, viewing it through the lens of symbolism and a general theory of signs. Goodman's approach is rooted in nominalism, suggesting that words are labels attached to things, and the meaning of a sign is inherent to the artistic practice that creates it.1
He proposes that representation is a form of denotation, where a symbol labels an individual, and a predicate labels multiple things. Expression, in Goodman's view, is a special case of reference called exemplification, where a predicate is exemplified metaphorically. While his theory offers a framework for understanding art as symbolic, it can be complex and may not always provide a clear procedure for interpreting specific works. The philosophy of art, distinct from art criticism, aims to provide conceptual foundations by examining core concepts like art, aesthetic value, and expression.12
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