Laarmans, who is the protagonist in Kaas, had been introduced in Lijmen, and he reappears in Pensioen (1937; “Pension”), De leeuwentemmer (1940; “The Lion Tamer”), and Elsschot’s masterpiece, Het dwaallicht (1946; Will-o’-the-wisp), a fruitless search for a remote ideal in an urban setting. Laarmans is…
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