The monologues of La Maison, la forĂȘt (1965; âThe House, the Forestâ) offer a bleak, Samuel Beckett-like vision of elderly parents, and Maintenant (1967; âNowâ) focuses on the mother figure. In both Le Corps (1969; âThe Bodyâ) and Les Eclairs (1971; âThe Flashesâ) Rolin investigates the time-space coordinatesâŠ
Read More