⊠(1962; âThe Half-Finished Heavenâ), and Klanger och spĂ„r (1966; âResonances and Tracksâ), are composed in a more-personal style, with plainer diction and personal perspective more in evidence. In those and later books, Tranströmerâs poetic observations of nature combine richness of meaning with the utmost simplicity of style. As one criticâŠ
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