âŠdramatized racial confrontation, while Bullinsâs In the Wine Time (1968) made use of âstreetâ lyricism. Maria Irene FornĂ©sâs Fefu and Her Friends (1977) proved remarkable in its exploration of womenâs relationships. A clear indication of Off-Broadwayâs ascendancy in American drama came in 1979 when Sam Shepard, a prolific and experimentalâŠ
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