ā¦world of psychological introspection (Il male oscuro [1964; āThe Dark Sicknessā] and La cosa buffa [1966; āThe Funny Thingā; Eng. trans. Antonio in Love]). Natalia Ginzburgās territory is the family, whether she reminisces about her own (Lessico famigliare [1963; Family Sayings]), handles fictional characters (Famiglia
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