Hvammar

(1913; “Waves”), Vogar (1921; “Billows”), Hvammar (1930; “Grass Hollows”)—show a masterful command of the language and the influence of his extensive travels, and they exemplify his patriotism, mysticism, and love of nature. A speculative citizen of the world, he wrote in an ornate style and, as one critic said, delighted…