âŠTuhu (1933; âThe Butcherâ), and Guodu (1936; âRiver Crossingâ; later rewritten and published as Houfang [1937; âRearguardâ]). His productions, which often used Western dramatic techniques and emphasized the importance of staging, won him wide renown; he described his experiences in the book Xiju dazhonghua zhi shiyan (1936; âExperiments in PopularizingâŠ
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