Fūshi kaden
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The Fūshi kaden is a seminal work by Zeami Motokiyo, a key figure in the development of Japanese Noh theatre. Written between 1400 and 1418, this collection of treatises, also known as the Kaden sho, serves as a manual for actors. It outlines the fundamental principles of Noh acting, emphasizing the mastery of basic roles and the importance of both monomane (imitation) and yūgen (profound, subtle beauty). Zeami believed yūgen was the essence of Noh, representing a beauty that is felt but not fully grasped, suggesting a deeper, spiritual core. The work guided generations of Noh performers, influencing the art form's enduring legacy.12
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