âŠthis collection and a sequel, FlöjtblĂ„sarlycka (1925; âThe Flutistâs Happinessâ), Enckell describes with a painterâs eye the exquisite nuances in the phenomena of nature. A modernist, he was associated with the avant-garde journal Quosego in 1928â29. After writing a few semiautobiographical novels, including Ljusdunkel (1930; âChiaroscuroâ), Enckell returned to poetryâŠ
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