Elgin Marbles
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What are the Elgin Marbles?
The Elgin Marbles are a collection of ancient Greek sculptures and architectural details from the Parthenon and other ancient buildings. Thomas Bruce, the 7th Lord Elgin, arranged to have them removed and shipped to England while he was the British ambassador to the Ottoman Empire from 1799 to 1803.
Elgin said he was worried that the artworks in Greece would be damaged, so he got permission from the Ottoman government to measure, sketch, and copy them. He was also authorized "to take away any pieces of stone with old inscriptions or figures thereon".
The removal of the marbles sparked controversy, with critics like Lord Byron accusing Elgin of vandalism. The Greek government has often asked for the marbles back, but the British Museum claims it has saved them from damage and deterioration.
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Where did the Elgin Marbles come from?
The Elgin Marbles are ancient Greek sculptures and architectural pieces that were originally part of the Parthenon and other ancient buildings in Athens.
Thomas Bruce, the 7th Lord Elgin, arranged to have them removed and shipped to England while he was the British ambassador to the Ottoman Empire (1799â1803). He stated he was concerned about the potential damage to artworks in Greece, then under Ottoman control, and received permission from the Ottoman government to remove pieces with inscriptions or figures.
The sculptures were shipped to England between 1802 and 1812. In 1816, the British Museum acquired the collection. The Greek government has frequently requested the marbles' return, but the British Museum has not agreed to this.
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Who took the Elgin Marbles from Greece?
Thomas Bruce, the 7th Earl of Elgin, arranged the removal of the Elgin Marbles from the Parthenon and other ancient buildings in Athens between 1802 and 1812 while serving as the British ambassador to the Ottoman Empire (1799â1803).
Elgin stated he was concerned about the potential damage to artworks in Greece, then under Ottoman rule, and secured permission from the Ottoman government to take away pieces of stone with inscriptions or figures. The sculptures were shipped to England, sparking controversy and accusations of cultural vandalism.
The Greek government has frequently demanded the marbles' return, but the British Museum, where they are now known as the Parthenon Sculptures, claims it has saved them from damage and deterioration.
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What do the sculptures on the Elgin Marbles show?
The sculptures of the Elgin Marbles, now known as the Parthenon Sculptures, include friezes, pediment sculptures, and fragmented statues that once adorned the Parthenon in Athens.
The metopes depict mythical battles alluding to the Greco-Persian Wars. The east metopes showcase Gigantomachy, a battle between gods and giants. The south metopes illustrate Centauromachy, a battle between the Lapiths and centaurs. The west metopes likely represent Amazonomachy, a battle between Athenians and Amazons. The sculptures on the north depict the defeat of Troy by the Greeks.
The two pediments contain complex sculptures. The east pediment displays the birth of Athena, while the west pediment features Athena's contest with Poseidon for domination. A continuous frieze on the interior likely represents the Panathenaic procession honoring Athena.
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Why are the Elgin Marbles important to Greek culture?
The Elgin Marbles, also known as the Parthenon Sculptures, are a collection of ancient Greek sculptures and architectural details that were removed from the Parthenon and other ancient buildings in Athens and shipped to England by Lord Elgin.
Greeks view the sculptures as part of their heritage and national cultural identity, and consider the Parthenon and Acropolis as synonymous with Greece. The Greek government has frequently demanded the return of the marbles, emphasizing that the sculptures are part of the cultural heritage of the world. The Acropolis Museum in Athens was built to house the Parthenon Marbles and other relics.
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Why is there debate about where the Elgin Marbles should be kept today?
Debate persists over the Elgin Marbles due to questions of cultural ownership and repatriation. Originally taken from the Parthenon in Athens by Lord Elgin, the sculptures are now housed in the British Museum.
Greece argues for their return, emphasizing their importance to Greek heritage and culture, while the British Museum claims to have protected the marbles from damage and deterioration. The Acropolis Museum in Athens was built, in part, to display the Marbles and silence critics who felt Greece lacked the facilities to properly showcase the sculptures. The British Museum argues that it is a universal museum better suited to display global treasures.
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Elgin Marbles, collection of ancient Greek sculptures and architectural details in the British Museum, London, where they are now called the Parthenon Sculptures. The objects were removed from the Parthenon at Athens and from other ancient buildings and shipped to England by arrangement of Thomas Bruce, 7th Lord Elgin, who was British ambassador to the Ottoman Empire (1799â1803). The removal created a storm of controversy that exemplified questions about the ownership of cultural artifacts and the return of antiquities to their places of origin. (See elginism.)
Elgin was a lover of art and antiquities. By his own account, he was concerned about damage being done to important artworks in the temples of Greece, then under Ottoman sway. Fearing that they would eventually be destroyed because of the occupying powerâs indifference, he asked permission of the Sublime Porte to have artists measure, sketch, and copy important pieces of sculpture and architectural detail for posterity. At length the request was grantedâalong with the authority âto take away any pieces of stone with old inscriptions or figures thereon.â
Elgin then began selecting a vast store of the treasures for shipment to England. Among these were friezes, pediment sculptures, and fragmented statues from the cella (interior chamber) walls of the Parthenon; the northeast column, an anta capital, blocks of wall crown (crown molding), including architrave and cornice, and a caryatid from the Erechtheum (a temple of Athena); and various other antiquities from Athens, Attica, and other sites.
A series of shipments took the treasures to England in 1802â12 with but one mishapâHMS Mentor sank in a storm off the Greek isle of Cythera in 1804, but the entire cargo was recovered. Elgin left the embassy in 1803 and arrived in England in 1806. The collection remained private for the next 10 years.
An outcry arose over the affair, and Elgin was assailed for rapacity, vandalism, and dishonesty in hauling the Greek treasures to London. Lord Byron and many others attacked Elginâs actions in print. A select committee of Parliament was established to examine the sculpture and the possibility of acquiring it for Britain. In 1810 Elgin published a defense of his actions that silenced most of his detractors. The final shipment of the Elgin Marbles reached London in 1812, and in 1816 the entire collection was acquired from Elgin by the crown for the sum of ÂŁ35,000, about half of Elginâs costs.
The Greek government has frequently demanded the return of the marbles, but the British Museumâclaiming among other reasons that it has saved the marbles from certain damage and deteriorationâhas not acceded, and the issue remains controversial. The Acropolis Museum in Athens, which is adjacent to the ancient site, opened in 2009; a large space in the museum is devoted to the Parthenon, and the pieces removed by Elgin are represented by plaster casts.




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