ā¦film, Ascenseur pour lāĆ©chafaud (1958; Elevator to the Gallows), was a psychological thriller. His second, Les Amants (1958; The Lovers), was a commercial success and established Malle and its star, Jeanne Moreau, in the film industry. The filmās lyrical love scenes, tracked with exquisite timing, exhibit Malleās typically bold andā¦
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