In El hombre deshabitado (1931; âThe Uninhabited Manâ), a modern allegorical play in the manner of CalderĂłnâs autos sacramentales, he created poetic, fatalistic myths out of realistic themes and folk motifs. The renovation of the drama attempted by AzorĂn, Valle-InclĂĄn, Grau, and others of the GenerationâŠ
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